Active Filters:
Composition: Bass
Participation: 0%
Participation: 50%-79%
Participation: 80%-99%
Play Time: 2:10 - 3:20
Unique Durations: 4-5
Unique Chords: None
Unique Chords: 1-2
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Bach BWV 775 Invention No. 4 for Viola/Cello Duet
GregorVomScheidt
3:03 Est. Play
Time
52 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 7 6 100%
Cello Bass 26 0 8 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola 23 0 7 6 100%
Cello Bass 26 0 8 5 96%
 
Amar pelos Dois
Diogo Guerreiro
3:13 Est. Play
Time
86 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 28 25 9 6 100%
Viola 22 0 6 5 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 28 25 9 6 100%
Viola 22 0 6 5 94%
 
Secrets for Viola and Cello
Caitlin8676
2:42 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 0 4 98%
Viola 13 0 0 4 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 9 0 0 4 98%
Viola 13 0 0 4 93%
 
BWV 1080 The Art of Fugue Contrapunctus II (A = 415 Hz)
verits99
2:48 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 20 0 7 7 83%
23 0 8 8 77%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 20 0 7 7 83%
23 0 8 8 77%
21 0 7 7 93%
22 0 8 5 90%
 
BWV 1080 The Art of Fugue Contrapunctus IX a 4. alla Duodecima (A = 415 Hz)
verits99
2:10 Est. Play
Time
65 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 26 0 10 6 68%
21 0 7 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 26 0 10 6 68%
21 0 7 6 92%
21 0 8 5 74%
21 0 8 6 97%
 
BWV 1080 The Art of Fugue Contrapunctus II, triplet version (A = 415 Hz)
verits99
2:48 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 20 0 7 6 83%
23 0 8 7 77%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 20 0 7 6 83%
23 0 8 7 77%
21 0 7 6 93%
22 0 8 5 90%
 
Sicut cervus — G.P. da Palestrina (F)
.m.i.r.o.
2:13 Est. Play
Time
58 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 10 0 1 4 98%
Alto 9 0 0 5 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor 10 0 1 4 98%
Alto 9 0 0 5 91%
Bass Bass 11 0 0 5 84%
Soprano 8 0 0 5 84%
 
BWV 1080 The Art of Fugue Contrapunctus III (A = 415 Hz)
verits99
2:24 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 24 0 9 6 75%
20 0 8 5 69%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 24 0 9 6 75%
20 0 8 5 69%
21 0 8 5 85%
22 0 8 5 94%
 
Misconception - Myuu
Squibeetos
2:28 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 12 0 2 2 100%
Viola 18 0 4 5 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 12 0 2 2 100%
Viola 18 0 4 5 92%
 
Unſer liebe Frawe / Unser liebe Fraue 1556
kertase
2:32 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 10 0 1 4 100%
Vagans 11 0 0 5 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Altus 10 0 1 4 100%
Vagans 11 0 0 5 99%
Bassus Bass 10 0 1 4 96%
Discantus 8 0 0 4 90%
Tenor 8 0 1 4 75%