Play Along Piano

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We Are Number One

Ryan Fryer

0:45	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	9	0	1	2	87%
Tenor Saxophone	8	0	2	3	77%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	9	1	2	87%
Tenor Saxophone	8	2	3	77%
	7	1	3	27%
	4	0	2	80%
Trombone	7	1	3	53%
	8	1	3	80%
Baritone Saxophone	12	2	3	80%

When Christmas Comes to Town

Valdemar Harald Grabovetski Rasmussen

3:31	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	19	2	4	79%
	17	7	3	5	84%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	19	2	4	79%
	17	7	3	5	84%
Flute	16	0	3	8	100%
Violin	17	0	3	8	98%
	17	0	2	7	97%

Welcome Arranged

Tron Trony

4:43	Est. Play Time
108	Measures
	1,440Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	29	2	6	97%
	16	25	1	5	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	29	2	6	97%
	16	25	1	5	100%
Violoncello	18	0	3	8	85%
Violin	15	0	2	8	63%
B♭ Trumpet	14	0	2	7	48%

Whither so fast

Thomas Bateson

1:53	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	6	91%
Alto	11	1	2	7	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	2	6	91%
Alto	11	1	2	7	100%
Tenor	10	1	1	7	100%
Soprano	11	1	3	7	96%
Practice	16	0	4	6	94%
Bass	10	1	1	7	65%

We Come to Your Doorstep

Steve Draper

1:03	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	26	33	7	6	94%
	14	0	1	6	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	26	33	7	6	94%
	14	0	1	6	88%
Bass	14	0	1	6	90%
Alto	14	0	3	5	88%
Soprano	13	0	2	6	88%
Tenor	13	0	2	5	86%

We wait for Thy loving-Kindness

Philip Armes

1:06	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	4	100%
Soprano	11	0	2	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	4	100%
Soprano	11	0	2	3	100%
Organ	16	3	4	4	98%
	15	3	2	3	86%
Tenor	10	0	2	3	91%
Bass	8	0	0	3	88%

Why does beauteous Lina weep?

John Wall Callcott

2:16	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	30	3	7	96%
	16	19	1	8	89%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	30	3	7	96%
	16	19	1	8	89%
Tenor	13	0	1	8	64%
	14	0	2	7	96%
Bass	13	0	1	8	73%
	15	0	1	8	85%
Counter Tenor	11	0	1	7	85%

Why Do I Use My Paper Ink and Pen? 1 of 2

Byrd, William

3:12	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	13	1	3	6	100%
Tenor	14	1	2	6	98%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	13	1	3	6	100%
Tenor	14	1	2	6	98%
Bass	13	1	3	7	96%
Alto 1	11	1	2	6	90%
Soprano	12	1	2	7	90%

What needeth all this travail?

John Wilbye

1:34	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	0	1	6	98%
Alto	11	0	1	6	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	9	1	6	98%
Alto	11	1	6	94%
Soprano	10	2	6	94%
Bass	10	1	6	87%

Wedding March (Mendelssohn) (partial, w. chords)

erikjan.malta

0:52	Est. Play Time
23	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Klarinet in B♭	11	0	5	100%
Dwarsfluit	12	1	7	83%
	11	2	7	87%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Klarinet in B♭	11	0	5	100%
Dwarsfluit	12	1	7	83%
	11	2	7	87%

Weep, O mine eyes

John Wilbye

2:07	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	2	6	96%
	11	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	2	6	96%
	11	1	6	100%
	11	2	6	100%
Soprano I	11	2	6	100%
Tenor	13	2	6	100%

WII THEME

sarahpoppe

1:40	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	3	7	4	100%
	22	12	5	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	3	7	4	100%
	22	12	5	4	100%
Alto Saxophone	20	12	6	3	100%
B♭ Clarinet	21	2	6	4	100%
Flute	20	2	5	4	100%
Violin I	21	2	6	4	100%
Violoncello	23	12	6	4	100%
Violin II	11	0	2	3	96%

When thou art weary

Joachim Kelecom

1:37	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	2	3	88%
Alto	8	0	1	3	76%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	2	3	88%
Alto	8	1	3	76%
Tenor	9	1	3	73%
Bass	8	0	3	67%

What haste fair Lady

Thomas Weelkes

2:04	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	0	4	6	98%
Alto	16	0	5	5	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	16	4	6	98%
Alto	16	5	5	95%
Bass	14	2	6	94%
Soprano 2	16	4	6	92%
Soprano 1	16	4	6	90%

Whann Battayle smethinge

John Wall Callcott

2:32	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	10	4	8	99%
	16	7	4	8	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	10	4	8	99%
	16	7	4	8	96%
Counter Tenor	10	0	1	8	100%
Tenor	10	0	2	6	93%
	11	0	3	8	97%
Bass	15	0	3	6	90%

When Oriana walk'd

Thomas Bateson

3:36	Est. Play Time
97	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	3	6	79%
	13	0	4	6	89%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	3	6	79%
	13	0	4	6	89%
	13	0	2	6	75%
Alto	13	0	2	6	93%
Soprano I	15	0	4	6	92%
Tenor I	14	0	3	6	91%
Practice	17	2	4	6	85%
Bass	11	0	2	6	72%

Who is Sylvia?

Edward German

2:01	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (ab lib.)	20	21	5	7	98%
	20	18	6	7	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano (ab lib.)	20	21	5	7	98%
	20	18	6	7	98%
Alto	12	0	3	7	99%
Tenor	13	0	4	7	99%
Bass	15	1	3	7	98%
Soprano	13	0	2	7	93%

Wilt thou unkind now leave me weeping

Robert Ramsey

3:32	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	0	5	6	99%
Alto II	14	0	4	6	99%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto I	14	5	6	99%
Alto II	14	4	6	99%
Soprano II	13	4	6	89%
Soprano I	13	4	6	88%
Tenor	15	4	6	87%
Bass	12	2	6	85%

When We Two Parted

Charles Hubert Hastings Parry

1:33	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	32	23	9	8	91%
P1	14	1	2	7	86%
P2	32	73	12	7	79%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	32	23	9	8	91%
P1	14	1	2	7	86%
P2	32	73	12	7	79%