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Composition: Ensemble
Participation: 0%
Participation: 50%-79%
Participation: 100%
Unique Durations: 6-7
Unique Accidentals: 2
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
White Christmas (arr. for orchestra)
David L Dinh
0:56 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 17 6 0 1 97%
Bass 26 19 3 2 92%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 17 6 0 1 97%
Bass 26 19 3 2 92%
Violins
I		 Treble 20 7 3 7 100%
Violas 16 13 2 7 98%
Violoncellos Bass 19 8 2 8 98%
Contrabasses Bass 8 0 0 1 97%
2
Bassoons		 Bass 16 12 3 7 74%
Violins
II		 Treble 24 27 5 5 73%
4
Horns
in
F		 Treble 10 10 2 1 54%
Treble 10 10 2 3 68%
2
Flutes		 Treble 24 22 7 9 56%
2
Clarinets
in
A		 Treble 12 7 2 7 46%
2
Oboes		 Treble 14 8 2 5 38%
A
Bass
Clarinet		 Treble 10 0 1 4 32%
Celesta Treble 11 2 0 3 18%
Bass 4 0 0 2 5%
Glockenspiel Treble 4 0 0 3 8%
 
What a Wonderful World - clarinet trio + piano
Clarinettos
2:11 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 4 5 100%
Bass 16 2 2 3 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 4 5 100%
Bass 16 2 2 3 100%
B♭
Clarinet		 Treble 20 0 5 6 95%
Treble 16 0 2 7 100%
Treble 16 0 4 8 100%
Bassoon/Cello Bass 10 0 2 5 100%
Trombone Bass 10 0 1 7 100%
 
We sing of the lands
Peter Bird
4:03 Est. Play
Time
129 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
1		 Treble 15 0 4 6 85%
Tenor Treble 15 0 4 6 80%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
1		 Treble 15 0 4 6 85%
Tenor Treble 15 0 4 6 80%
Bass Bass 14 0 2 6 79%
Alto
2		 Treble 11 0 1 6 77%
Soprano
1		 Treble 15 0 4 6 67%
Soprano
2		 Treble 16 0 4 6 66%
 
Where righteousness doth say
John Dowland
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 11 0 4 4 100%
Treble 11 0 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 11 0 4 4 100%
Treble 11 0 2 6 100%
Treble 9 0 1 5 100%
Bass 12 0 2 4 100%
 
Wherewithal shall a young man cleanse his way?
John Alcock Sr.
1:44 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[B] Bass 12 0 2 5 100%
[Instr.
Bass]		 Bass 13 0 2 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
[B] Bass 12 0 2 5 100%
[Instr.
Bass]		 Bass 13 0 2 5 100%
[T] Treble 10 0 2 7 100%
[A] Treble 9 0 2 5 97%
[S] Treble 11 0 3 7 92%
 
Wie habt ihr Jungfrau
Orazio Vecchi
1:14 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
1		 Treble 10 0 3 6 100%
Soprano
2		 Treble 7 0 2 6 100%
Tenor Treble 12 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano
1		 Treble 10 0 3 6 100%
Soprano
2		 Treble 7 0 2 6 100%
Tenor Treble 12 0 2 6 100%
 
Why Do I Use My Paper Ink and Pen? 1 of 2
Byrd, William
3:12 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto

2		 Treble 13 1 3 6 100%
Tenor Treble 14 1 2 6 98%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto

2		 Treble 13 1 3 6 100%
Tenor Treble 14 1 2 6 98%
Bass Bass 13 1 3 7 96%
Alto
1		 Treble 11 1 2 6 90%
Soprano Treble 12 1 2 7 90%
 
Who shall have my lady fair?
Robert Lucas Pearsall
2:13 Est. Play
Time
92 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 1 6 100%
Alto Treble 9 0 2 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 12 0 1 6 100%
Alto Treble 9 0 2 6 98%
Tenor Treble 13 0 2 5 98%
Bass Bass 12 0 0 6 96%
 
Who prostrate lies
Thomas Bateson
1:34 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 14 1 1 6 85%
10 0 1 6 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 14 1 1 6 85%
10 0 1 6 100%
Soprano
I		 Treble 11 0 2 7 100%
Alto Treble 14 0 2 5 98%
Tenor Treble 9 0 1 6 98%
Bass Bass 9 0 0 5 94%
Practice Treble 16 1 3 7 82%
 
Where Are You Christmas +lyrics v3
maximgottmer
3:25 Est. Play
Time
95 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Matt. Bass 21 0 2 7 100%
Mitch. Treble 16 0 2 8 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Matt. Bass 21 0 2 7 100%
Mitch. Treble 16 0 2 8 100%
Scott. Treble 17 0 1 10 99%
Kirstie. Treble 19 0 0 10 97%
 
Weep, O mine eyes
John Wilbye
2:07 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 6 96%
11 0 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 2 6 96%
11 0 1 6 100%
11 0 2 6 100%
Soprano
I		 Treble 11 0 2 6 100%
Tenor Treble 13 0 2 6 100%
 
What doth my pretty darling?
Michael East
2:17 Est. Play
Time
62 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 18 0 4 6 83%
14 0 4 5 84%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 18 0 4 6 83%
14 0 4 5 84%
Alto Treble 12 0 3 6 95%
Soprano
I		 Treble 14 0 4 5 87%
Practice Treble 19 3 5 5 79%
Tenor Treble 12 0 2 6 79%
Bass Bass 14 0 3 5 66%
 
Whither so fast
Thomas Bateson
1:53 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 16 0 2 6 91%
Alto Treble 11 1 2 7 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 16 0 2 6 91%
Alto Treble 11 1 2 7 100%
Tenor Treble 10 1 1 7 100%
Soprano Treble 11 1 3 7 96%
Practice Treble 16 0 4 6 94%
Bass Bass 10 1 1 7 65%
 
Wet Hands
exonorid
1:15 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 16 0 2 6 100%
Viola 14 0 1 6 96%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 16 0 2 6 100%
Viola 14 0 1 6 96%
Violin
I		 Treble 15 0 1 6 79%
Violin
II		 Treble 12 0 2 6 79%
 
When Oriana walk'd
Thomas Bateson
3:36 Est. Play
Time
97 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 15 0 3 6 79%
13 0 4 6 89%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano 15 0 3 6 79%
13 0 4 6 89%
13 0 2 6 75%
Alto Treble 13 0 2 6 93%
Soprano
I		 Treble 15 0 4 6 92%
Tenor
I		 Treble 14 0 3 6 91%
Practice Treble 17 2 4 6 85%
Bass Bass 11 0 2 6 72%
 
What is the cause
John Dowland
0:21 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 2 4 100%
Soprano Treble 9 0 1 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bass Bass 9 0 2 4 100%
Soprano Treble 9 0 1 6 100%
Tenor
1		 Treble 9 0 2 6 100%
Tenor
2		 Treble 5 0 1 4 100%
 
White as lilies was her face
John Dowland
1:08 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 9 0 2 6 100%
B Bass 8 0 1 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
A Treble 9 0 2 6 100%
B Bass 8 0 1 6 100%
Lute Treble 21 23 5 6 100%
S Treble 6 0 0 4 100%
T Treble 10 0 3 6 100%