Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Shiny - Moana

shhmolin2

2:58	Est. Play Time
52	Measures
	1,291Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	46	4	7	97%
	24	13	7	6	100%
Voice	13	0	2	7	96%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	46	4	7	97%
	24	13	7	6	100%
Voice	13	0	2	7	96%

Soliloquy for Trumpet - JJ Morrissey (Brass Quintet with Trumpet Solo)

Peet du Toit

3:10	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 2	15	0	5	6	95%
Horn in F	11	0	2	6	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 2	15	5	6	95%
Horn in F	11	2	6	95%
Trombone	15	5	7	95%
B♭ Trumpet 1	21	7	9	88%
Tuba	13	5	6	74%

Sister awake!

Thomas Bateson

2:10	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	15	41	3	6	99%
	14	11	1	6	92%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Practice	15	41	3	6	99%
	14	11	1	6	92%
Soprano I	13	0	2	6	97%
	12	0	3	6	98%
Alto	10	0	1	6	92%
Tenor	10	0	0	6	89%
Bass	10	0	1	6	62%

Siehe, das ist unser Gott

Johann Heinrich Rolle

2:27	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	12	0	2	11	96%
Tenor	13	0	4	8	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	12	2	11	96%
Tenor	13	4	8	94%
Bass	15	3	9	85%
Sopran	13	2	10	82%

Si com' i fiori da l'ardente sole

Orlando di Lasso

2:28	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	3	5	100%
Tenor 2	14	0	3	7	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	3	5	100%
Tenor 2	14	3	7	97%
Tenor 1	10	2	5	95%
Bass	13	2	3	92%
Tenor 3	12	2	4	92%

Si chiara e pelegrina

Lodovico Agostini

1:38	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	0	2	6	100%
Alto	11	0	2	6	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	9	2	6	100%
Alto	11	2	6	96%
Tenor	8	2	5	96%
Bass	11	2	4	94%

S'io vi domando aita

Leonard Meldert

0:01	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	3	6	94%
Canto	12	0	3	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	3	6	94%
Canto	12	3	6	92%
Quinto	13	3	7	90%
Tenore	12	2	7	88%
Basso	13	2	6	80%

Sicut mater consolatur

Jan Tollius

3:48	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	11	0	1	5	98%
Tenor	13	0	3	5	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	11	1	5	98%
Tenor	13	3	5	98%
Alto 1	12	2	5	97%
Soprano	10	1	5	89%
Bass	12	1	5	77%

Sit down and sing

Thomas Weelkes

2:27	Est. Play Time
72	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	14	2	6	99%
Tenor	12	1	6	99%
Soprano 1	13	2	5	96%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	14	2	6	99%
Tenor	12	1	6	99%
Soprano 1	13	2	5	96%

Si bien acort

Jean de Castro

1:38	Est. Play Time
49	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	2	5	94%
Superius	11	2	5	92%
Tenor	11	0	5	88%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	2	5	94%
Superius	11	2	5	92%
Tenor	11	0	5	88%

So ben mi ch'ha bon tempo

Orazio Vecchi

1:22	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	2	5	100%
Bass	11	0	1	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	5	100%
Bass	11	1	4	100%
Tenor	11	2	3	100%
Soprano	11	2	4	93%

Softly falls the shades of evening

John Hatton

0:01	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	3	96%
	18	2	4	3	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	8	6	3	96%
	18	2	4	3	96%
Soprano	12	0	3	3	100%
Tenor	13	0	2	3	96%
Alto	11	0	3	3	94%
Bass	16	0	4	3	90%

Singing alone

Thomas Morley

3:03	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	2	5	95%
Tenor	10	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	2	5	95%
Tenor	10	1	6	100%
Alto I	13	2	5	93%
Bass	12	1	6	93%
Soprano	9	0	5	90%

Si par souhait

Jean de Castro

2:10	Est. Play Time
65	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	15	4	7	100%
Tenor	13	2	6	95%
Altus	10	2	6	94%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	15	4	7	100%
Tenor	13	2	6	95%
Altus	10	2	6	94%

Sinfonia G major

Basset, Vicente

1:55	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	14	6	7	100%
	22	8	3	5	89%
Trumpet in C	11	0	2	6	80%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	24	14	6	7	100%
	22	8	3	5	89%
Trumpet in C	11	0	2	6	80%

The singers go before with joy

Thomas Clark

0:54	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	0	8	100%
Soprano	12	0	1	8	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	10	0	8	100%
Soprano	12	1	8	95%
Alto	15	2	8	88%
Tenor	7	0	8	60%
Bass	9	0	6	53%

Si dolci son

Giovanni Battista Moscaglia

1:44	Est. Play Time
52	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	2	6	98%
Tenor 1	10	0	1	5	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	98%
Tenor 1	10	1	5	96%
Canto	9	2	5	94%
Tenor 2	13	2	6	88%

Since my tears and lamenting

Thomas Morley

2:55	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	11	0	3	6	97%
Bass	10	0	1	6	96%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	11	3	6	97%
Bass	10	1	6	96%
Alto	11	2	6	94%
Soprano	13	4	6	89%