Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Prelude in C minor by J.S. Bach (BWV 549) for brass quintet

Nednedflanders

2:04	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	0	5	7	100%
B♭ Trumpet	15	0	7	8	72%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	5	7	100%
B♭ Trumpet	15	7	8	72%
	14	5	7	72%
Trombone	15	5	6	62%
Horn in F	14	4	8	52%

Pseaume 77

Jan Pieterszoon Sweelinck

3:46	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	14	0	4	7	94%
Soprano	12	0	4	7	67%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	14	4	7	94%
Soprano	12	4	7	67%
Alto	13	3	7	64%
Bass	13	4	5	61%
Tenor 2	13	4	7	60%

Pur venisti cor mio

Sigismondo d'India

1:34	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	5	6	98%
Canto	15	0	5	8	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	5	6	98%
Canto	15	5	8	98%
Quinto	16	5	6	93%
Tenore	14	5	6	76%
Basso	15	3	6	50%

Quis audivit

Chiara Margarita Cozzolani

15:30	Est. Play Time
217	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	21	0	5	9	100%
Canto Primo	18	0	5	9	79%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	21	5	9	100%
Canto Primo	18	5	9	79%
Canto secondo	21	8	9	78%
Basso	20	4	9	59%

Pseaume 25

Jan Pieterszoon Sweelinck

3:51	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	0	3	6	93%
Soprano	10	0	1	7	69%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	14	3	6	93%
Soprano	10	1	7	69%
Alto 1	12	2	7	65%
Alto 2	13	3	6	62%
Bass	13	2	5	53%

Quattro spose

Velthur Tognoni

2:19	Est. Play Time
19	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	23	7	7	3	43%
	18	7	2	4	48%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pianoforte	23	7	7	3	43%
	18	7	2	4	48%
Contralto	12	0	3	6	74%
Mezzosoprano	8	0	1	6	74%
Soprano I	13	1	3	3	74%
Soprano II	10	1	1	3	74%

Pseaume 47

Jan Pieterszoon Sweelinck

2:44	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	2	9	100%
Altus	12	0	1	9	59%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	2	9	100%
Altus	12	1	9	59%
Cantus	13	2	9	59%
Quintus	13	3	8	56%
Bassus	11	1	8	53%

Quartet Arrangement of Vladimir Vivilov's (attr. to Giulio Caccini) Ave Maria

Justin T. Swain

2:52	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	43	7	3	90%
	15	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	43	7	3	90%
	15	0	2	6	100%
Violoncello	20	0	4	7	88%
Violin	10	0	1	5	67%
Oboe	15	0	3	7	56%

Prologue (from "Isko't Iska 2019") 1st version

iskotiska2019

0:43	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	4	0	3	100%
	7	3	2	2	100%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	8	4	0	3	100%
	7	3	2	2	100%
Acoustic Guitar	6	3	1	3	100%
Electric Bass	6	0	2	2	100%
Electric Guitar	8	0	1	1	100%
Oboe	11	0	3	4	64%
Clarinet	2	0	1	2	46%
Harmonica	9	0	2	5	43%
Violin	6	0	2	3	43%
String Synthesizer	3	0	1	1	11%
	0	0	0	0	0%

Pray that Jerusalem

Charles Villiers Stanford

1:29	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	21	27	5	6	88%
	24	17	5	6	85%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P3	21	27	5	6	88%
	24	17	5	6	85%
P2	16	0	3	5	88%
P1	11	0	1	5	70%

Pseaume 141

Jan Pieterszoon Sweelinck

4:54	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	3	8	95%
Soprano	12	0	3	8	75%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	3	8	95%
Soprano	12	3	8	75%
Alto 2	14	3	9	73%
Alto 1	13	2	8	69%
Bass	13	2	7	64%

Quel lauro che fù in me

Luca Marenzio

6:12	Est. Play Time
94	Measures
	1,056Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	14	0	4	7	77%
Soprano 1	11	0	2	8	77%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	14	4	7	77%
Soprano 1	11	2	8	77%
Tenor 1.1	16	4	7	77%
Tenor 1.2	15	4	6	72%
Bass 1	14	3	6	69%
Alto 2	12	2	7	52%
Bass 2	14	2	6	52%
Soprano 2	11	2	6	52%
Tenor 2.1	15	3	7	52%
Tenor 2.2	14	2	6	51%