Play Along Piano

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Payphone

DGWerlod2

1:56	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	7	92%
Bass	10	0	0	6	88%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	7	92%
Bass	10	0	0	6	88%
Tenor	11	6	0	6	88%
Soprano	13	3	1	7	81%

Pachelbel, Johann - Allegro from P. 372 arr. for 2 Flutes and Alto Flute

twoflutes

1:30	Est. Play Time
30	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flöte 2	15	2	7	100%
Flöte 1	15	2	6	97%
Altflöte in G	14	1	6	80%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flöte 2	15	2	7	100%
Flöte 1	15	2	6	97%
Altflöte in G	14	1	6	80%

Par faulte d'une

Loyset Piéton

1:36	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	0	0	5	98%
Tenor 1	10	0	1	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Superius	10	0	5	98%
Tenor 1	10	1	6	92%
Altus	9	1	6	88%
Tenor 2	12	2	6	86%

Over in the Glory Land

Frank McLeod

2:05	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	16	3	5	88%
	13	3	2	5	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	16	3	5	88%
	13	3	2	5	88%
B♭ Clarinet	14	0	3	7	96%
Tuba	12	0	1	5	87%
Trombone	13	0	2	6	78%
B♭ Trumpet	8	0	1	5	61%

Patefacte sunt ianue celi

Andrea Gabrieli

2:08	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	8	96%
Tenor	10	0	1	7	89%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	1	8	96%
Tenor	10	1	7	89%
Soprano	9	1	8	85%
Bass	12	2	7	73%

Où t'attend ta maistresse

Jean de Castro

1:44	Est. Play Time
51	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	2	7	100%
Superius	11	3	5	98%
Tenor	11	1	4	94%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	2	7	100%
Superius	11	3	5	98%
Tenor	11	1	4	94%

Pachelbel Fugue in C Major, P. 150

aspasd

1:34	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P2		18	1	1	7	88%
P1		18	0	2	7	83%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P2		18	1	1	7	88%
P1		18	0	2	7	83%

Par trop souffrir

Thomas Crecquillon

1:56	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	1	7	100%
Soprano	11	0	0	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	1	7	100%
Soprano	11	0	7	100%
Tenor	9	1	6	100%
Bass	9	1	5	93%

Peccavi super numerum arenae maris

Anonymous

1:52	Est. Play Time
56	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	6	98%
Tenor 1	11	1	6	96%
Tenor 2	11	0	5	93%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	6	98%
Tenor 1	11	1	6	96%
Tenor 2	11	0	5	93%

Pense non seulement

Jean de Castro

1:50	Est. Play Time
55	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	13	2	6	100%
Soprano 2	11	2	6	98%
Tenor	12	1	6	89%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	13	2	6	100%
Soprano 2	11	2	6	98%
Tenor	12	1	6	89%

Ov'è condotto

Girolamo Scotto

1:48	Est. Play Time
54	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	1	6	98%
Tenor 2	9	1	7	98%
Tenor 1	9	1	7	96%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	1	6	98%
Tenor 2	9	1	7	98%
Tenor 1	9	1	7	96%

Our Bonny-boots could toot it

Thomas Morley

1:40	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	0	6	96%
Alto	12	0	2	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	0	6	96%
Alto	12	2	6	98%
Bass	13	2	6	93%
Soprano	10	2	5	93%
Tenor I	12	1	6	93%

Ove ne vai si lieta

Giovanni Battista Cenni

2:00	Est. Play Time
30	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	11	2	6	100%
Bass	14	1	5	97%
Soprano 1	15	3	5	97%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	11	2	6	100%
Bass	14	1	5	97%
Soprano 1	15	3	5	97%

Para un triunfo que el orbe

José de Nebra

2:09	Est. Play Time
87	Measures
	1,535Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	14	0	3	2	100%
Violin 1	23	1	7	4	99%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	14	0	3	2	100%
Violin 1	23	1	7	4	99%
Violin 2	22	1	5	4	99%
Tenor	13	0	3	4	72%
	13	0	3	4	77%
Alto	9	0	1	4	75%
	9	0	1	4	71%
Tiple	12	0	3	4	70%
Tiple 1amp;2 (Soprano)	12	0	3	4	70%
Bass	12	0	2	4	69%