Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Padre nuestro (Gallego)

Stulta Auricula

3:04	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	8	0	3	93%
	8	2	0	1	86%
View all 9 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	13	8	3	93%
	8	2	1	86%
Bajo eléctrico	8	0	4	98%
Alto	8	0	4	88%
Soprano	7	0	4	88%
Corno inglés	10	0	5	74%
Barítono	8	1	5	62%
Tenor	7	0	5	62%
Oboe	4	0	4	52%

The Passing Nights

MilesMaybe

2:54	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Euphonium	9	0	0	6	95%
Tuba	11	0	0	6	95%
View all 19 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Euphonium	9	0	0	6	95%
Tuba	11	0	0	6	95%
Bass Clarinet	10	0	0	6	86%
Bassoon	10	0	0	6	86%
B♭ Trumpet 1	14	0	2	9	51%
Trombone 1	10	0	0	9	51%
Trombone 2	9	0	0	6	51%
B♭ Clarinet 1	14	0	2	8	47%
B♭ Clarinet 2	10	0	0	9	42%
Flute 1	11	0	0	7	39%
Alto Saxophone 1	6	0	0	8	33%
Alto Saxophone 2	10	0	0	7	33%
F Horn 1 amp;amp; 2	8	0	0	8	33%
Flute 2	10	0	0	7	30%
B♭ Trumpet 2	8	0	0	6	28%
Baritone Saxophone	9	0	0	6	28%
Tenor Saxophone	7	0	0	7	28%
Timpani	5	1	0	5	26%
Vibraphone	8	0	0	5	25%

Pater noster

Arnold von Bruck

3:16	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	11	0	0	7	94%
Tenor 2	11	0	0	6	92%
View all 5 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Bass	11	7	94%
Tenor 2	11	6	92%
Soprano	10	6	91%
Tenor 1	5	6	66%
Alto	6	6	65%

Peccantem me quotidie

Jean Mouton

3:06	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	10	0	0	6	97%
Contratenor	9	0	0	6	96%
View all 5 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Tenor	10	6	97%
Contratenor	9	6	96%
Bassus	9	6	95%
Superius	8	6	65%
	8	5	65%

Peccantem me quotidie

Philippe de Monte

3:00	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	11	0	2	6	91%
Alto	11	0	2	7	89%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	11	2	6	91%
Alto	11	2	7	89%
Tenor	14	4	7	89%
Bass	10	2	7	87%
Soprano 2	10	3	6	78%

Parlo miser ò taccio?

Sigismondo d'India

2:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	13	0	4	7	100%
Quinto	16	0	5	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	13	4	7	100%
Quinto	16	5	6	100%
Alto	13	3	6	97%
Tenor	16	5	7	94%
Basso	20	7	6	89%

Parto ò non parto?

Luca Marenzio

2:14	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	4	7	97%
Canto	12	0	3	6	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	4	7	97%
Canto	12	3	6	93%
Basso	15	4	6	90%
Tenore	12	2	6	87%
Quinto	13	3	6	81%

Our country swains

Thomas Weelkes

2:23	Est. Play Time
76	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	13	0	4	5	97%
Soprano 3	11	0	1	6	93%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	13	4	5	97%
Soprano 3	11	1	6	93%
Alto	10	1	6	91%
Soprano 1	13	2	6	91%

Ouverture si minore per legni

Blank Scroll

2:46	Est. Play Time
86	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto I.	28	0	10	8	86%
Oboe	25	0	10	7	84%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto I.	28	10	8	86%
Oboe	25	10	7	84%
Fagotto	24	8	7	81%
Flauto II.	21	7	4	47%

Partita zu 5 Stimmen - b) Pavane II - Johann Ghro (Brass)

Peet du Toit

2:48	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 1	13	0	4	5	100%
B♭ Trumpet 2	11	0	3	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet 1	13	4	5	100%
B♭ Trumpet 2	11	3	6	100%
Bass Trombone	14	2	5	100%
Horn in F	10	2	6	100%
Trombone	11	2	6	100%

Pascha nostrum immolatus est Christus

Jacobus Vaet

3:00	Est. Play Time
91	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	98%
Tenor	11	0	1	7	93%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	98%
Tenor	11	1	7	93%
Quintus	11	1	6	92%
Cantus	10	1	7	91%
Bassus	12	1	7	80%

Peccantem me quotidie

Carlo Gesualdo

2:30	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	5	7	97%
Tenor 2	15	0	4	6	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	5	7	97%
Tenor 2	15	4	6	96%
Tenor 1	14	4	7	92%
Bass	16	5	6	91%
Soprano	16	6	7	91%

Paine me tourmente

Jean Larchier

2:24	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	7	99%
Tenor 1	10	0	0	6	96%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	1	7	99%
Tenor 1	10	0	6	96%
Soprano 2	9	0	6	90%
Soprano 1	11	0	6	89%
Tenor 2	11	0	6	83%
Bass	10	0	6	75%

Père éternel

Tielman Susato

2:10	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	9	0	1	7	100%
Superius	8	0	0	6	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	9	1	7	100%
Superius	8	0	6	98%
Tenor 2	11	1	6	98%
Tenor 1	9	0	6	97%

Peccantem me quotidie

Carlos Patiño

3:00	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	9	0	1	8	96%
Alto I	16	0	4	7	92%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano I	9	1	8	96%
Alto I	16	4	7	92%
Tenor	14	5	7	90%
Alto II	14	3	8	89%
Soprano II	14	5	7	82%
Bass	16	4	8	76%