Active Filters:
Measures: < 20
Participation: 0%
Participation: 50%-79%
Unique Durations: 1-3
Unique Durations: 8-9
Unique Notes: 6 - 10
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Old Song
dkjungster
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 75%
Bass 6 2 1 3 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 75%
Bass 6 2 1 3 75%
 
O vos omnes: Ay shorte aytonell motett
logancityofyo1
0:52 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 0 5 11 100%
Treble 10 0 3 8 81%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 16 0 5 11 100%
Treble 10 0 3 8 81%
Treble 10 0 3 7 81%
Alto Treble 10 0 5 8 81%
Treble 8 0 4 10 56%
Bass Bass 6 0 2 8 56%
Tenor Treble 9 0 4 9 56%
 
Numberwang theme
harrysargent
0:08 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Piano		 Treble 7 5 0 3 100%
Bass 4 0 0 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Piano		 Treble 7 5 0 3 100%
Bass 4 0 0 2 100%
B♭
Trumpet		 Treble 9 0 1 3 100%
Bass
Guitar		 Bass 4 0 0 2 100%
Violin Treble 6 0 0 2 60%
 
Old Hundredth for Three Guitars
clothesliner
0:28 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 8 0 0 3 93%
Treble 8 0 0 3 54%
Treble 7 0 0 3 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 8 0 0 3 93%
Treble 8 0 0 3 54%
Treble 7 0 0 3 95%
 
och sången väller fram
musiksmide
0:24 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1 Treble 8 0 0 3 100%
3 Bass 9 0 0 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
1 Treble 8 0 0 3 100%
3 Bass 9 0 0 3 100%
2 Treble 6 0 0 3 56%
4 Bass 7 0 0 3 56%
 
Odstekan razred III
osas
0:16 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 6 2 1 3 75%
Bass 2 0 0 2 69%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavir Treble 6 2 1 3 75%
Bass 2 0 0 2 69%
Violina Treble 12 0 1 4 69%
Flavta Treble 8 0 1 2 50%
 
262. Nun freut euch, lieben Christen g'mein (Es ist gewisslich an der Zeit), BWV 307
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 15 0 1 2 100%
Contrabass Bass 10 0 1 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 1 3 100%
Tenor/Bass Bass 15 0 1 2 100%
Contrabass Bass 10 0 1 2 50%
 
Odstekan razred VII
osas
0:34 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flavta Treble 10 0 2 4 94%
Violina Treble 15 1 1 5 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flavta Treble 10 0 2 4 94%
Violina Treble 15 1 1 5 94%
Klavir Treble 9 5 0 4 41%
Bass 6 0 0 3 78%
 
261. Nun freut euch, lieben Christen g'mein. BWV 388.
SDG
0:50 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 6 100%
Tenor/Bass Bass 15 0 2 5 100%
Contrabass Bass 10 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 6 100%
Tenor/Bass Bass 15 0 2 5 100%
Contrabass Bass 10 0 0 3 50%