Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

O Sion, that bringest good tidings

Joseph Stephenson

2:29	Est. Play Time
61	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	1	7	100%
Tenor	12	3	9	95%
Alto	9	2	7	81%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	1	7	100%
Tenor	12	3	9	95%
Alto	9	2	7	81%

O che soave e inteso baccio

Luca Marenzio

3:00	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	1	7	96%
Quinto	14	0	4	6	96%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	1	7	96%
Quinto	14	4	6	96%
Canto	12	2	7	91%
Tenore	13	3	6	91%
Basso	13	2	7	89%
Sesto	15	4	7	80%

O magnum mysterium

Giovanni Gabrieli

2:17	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTUS (Tenor)	13	0	2	7	79%
TENOR (Tenor)	11	0	2	6	75%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
ALTUS (Tenor)	13	2	7	79%
TENOR (Tenor)	11	2	6	75%
	13	4	7	78%
BASSUS (Bass)	9	1	6	78%
	12	3	6	74%
CANTUS (Alto)	9	3	7	78%
CANTUS (Soprano)	8	3	6	78%
ALTUS (Alto)	12	4	7	77%

O Mirtillo

Claudio Monteverdi

2:18	Est. Play Time
69	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S I	15	0	4	6	100%
S II	14	0	5	6	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
S I	15	4	6	100%
S II	14	5	6	96%
A	13	3	6	78%
B	16	3	6	74%
T	13	2	6	67%

O gran felicita

Benedetto Pallavicino

2:50	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	100%
Basso	13	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	6	100%
Basso	13	2	5	100%
Quinto	14	5	5	100%
Tenore	13	4	6	98%
Canto	10	2	6	95%

O wretched man! why lov'st thou earthly life

John Wilbye

2:41	Est. Play Time
79	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	3	6	90%
Alto I	10	0	2	6	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	3	6	90%
Alto I	10	2	6	87%
Soprano II	12	4	5	72%
Soprano I	11	2	5	67%
Tenor	12	2	6	63%

O sacrum convivium

Joachim Kelecom

2:33	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	14	29	3	7	90%
	14	10	3	7	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	14	29	3	7	90%
	14	10	3	7	100%
Bass	12	0	3	6	100%
Alto	10	0	2	6	85%
Soprano	10	0	0	6	85%
Tenor	8	0	1	6	85%

O primavera (Prima parte)

Giaches de Wert

2:24	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	3	7	100%
Alto	12	0	2	6	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	3	7	100%
Alto	12	2	6	97%
Quinto	13	5	6	94%
Tenore	10	2	6	72%
Basso	10	1	7	67%

Of joys and pleasing pains

John Wilbye

3:06	Est. Play Time
83	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	3	6	87%
Soprano II	11	0	2	6	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	3	6	87%
Soprano II	11	2	6	91%
Soprano I	11	2	6	87%
Tenor	14	4	6	87%
Alto I	12	1	6	78%

O malheuseuse journee

Nicolas Gombert

3:18	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 3	13	0	2	6	96%
Tenor 1	12	0	0	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 3	13	2	6	96%
Tenor 1	12	0	6	94%
Tenor 2	12	0	6	94%
Soprano	10	0	6	93%
Bass	11	1	6	80%

Now Sleeps the Crimson Petal

Mark Chapman

2:57	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	4	7	96%
Alto 2	10	0	2	7	91%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	4	7	96%
Alto 2	10	0	2	7	91%
Baritone	10	0	1	7	90%
Alto 1	10	0	1	6	87%
Bass	13	6	2	6	83%
Soprano	12	0	3	6	79%

Occhi de' miei desiri

Luca Marenzio

2:50	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	0	4	7	99%
Sesto	14	0	4	7	96%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	4	7	99%
Sesto	14	4	7	96%
Alto	13	4	6	94%
Quinto	14	3	6	88%
Basso	12	2	6	79%
Tenore	11	2	6	70%

O sweet, alas, what say you?

Thomas Morley

3:15	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	6	100%
Soprano I	11	0	2	5	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	6	100%
Soprano I	11	2	5	98%
Alto	13	2	6	97%
Tenor	11	0	6	89%

O sacrum convivium a 6

Tomás Luis de Victoria

2:44	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	0	1	7	88%
Alto I	11	0	2	7	87%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	10	1	7	88%
Alto I	11	2	7	87%
Alto II	10	2	7	84%
Tenor I	10	1	6	78%
Tenor II	10	1	7	78%
Bass	10	0	6	73%

O Softly Singing Lute

Francis Pilkington

3:12	Est. Play Time
96	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	16	0	5	7	94%
Soprano 1	12	0	4	7	92%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	16	5	7	94%
Soprano 1	12	4	7	92%
Soprano 2	12	4	7	92%
Alto 1	15	3	7	90%
Tenor	11	2	7	86%
Bass	14	4	7	85%