Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

O crux splendidor

Peter Philips

2:59	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	0	5	7	99%
Alto	12	0	2	9	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	15	5	7	99%
Alto	12	2	9	97%
Soprano 1	12	3	7	94%
Tenor	11	1	7	90%
Bass	13	2	6	79%

Occhi de' miei desiri

Luca Marenzio

2:50	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	0	4	7	99%
Sesto	14	0	4	7	96%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	14	4	7	99%
Sesto	14	4	7	96%
Alto	13	4	6	94%
Quinto	14	3	6	88%
Basso	12	2	6	79%
Tenore	11	2	6	70%

O Lord, turn thy wrath away

William Byrd

2:28	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	0	2	6	88%
	15	0	3	6	89%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	12	2	6	88%
	15	3	6	89%
Alto	12	3	7	89%
Bass	12	1	6	81%
Soprano	10	1	6	81%

O com' e gran martire

Andreas Pevernage

2:22	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	2	6	100%
Tenor 1	12	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	2	6	100%
Tenor 1	12	3	7	100%
Canto	11	3	6	99%
Tenor 2	11	3	6	90%

Of joys and pleasing pains

John Wilbye

3:06	Est. Play Time
83	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	3	6	87%
Soprano II	11	0	2	6	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	3	6	87%
Soprano II	11	2	6	91%
Soprano I	11	2	6	87%
Tenor	14	4	6	87%
Alto I	12	1	6	78%

O sing unto mie roundelaie

Samuel Wesley

3:00	Est. Play Time
89	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Treble	17	0	4	6	94%
	19	0	6	8	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Treble	17	4	6	94%
	19	6	8	99%
Counter Tenor	17	6	6	89%
Tenor	18	2	6	81%
Bass	15	1	6	57%

O malheuseuse journee

Nicolas Gombert

3:18	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 3	13	0	2	6	96%
Tenor 1	12	0	0	6	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 3	13	2	6	96%
Tenor 1	12	0	6	94%
Tenor 2	12	0	6	94%
Soprano	10	0	6	93%
Bass	11	1	6	80%

Nunc dimittis a 6

Francisco Valls

3:12	Est. Play Time
95	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	0	5	6	100%
Alto	12	0	4	6	93%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	16	5	6	100%
Alto	12	4	6	93%
Bass	19	6	8	93%
Soprano	14	4	8	89%
	17	5	8	92%
	13	3	8	92%
Tenor	15	3	8	91%

Nunc dimittis

Thomas Clark

2:52	Est. Play Time
92	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	15	0	2	6	100%
Bass	13	0	2	6	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	15	2	6	100%
Bass	13	2	6	98%
Alto	10	1	8	97%
Tenor	13	4	8	92%
Soprano	12	3	4	71%

Now Sleeps the Crimson Petal

Mark Chapman

2:57	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	4	7	96%
Alto 2	10	0	2	7	91%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	0	4	7	96%
Alto 2	10	0	2	7	91%
Baritone	10	0	1	7	90%
Alto 1	10	0	1	6	87%
Bass	13	6	2	6	83%
Soprano	12	0	3	6	79%

O sweet, alas, what say you?

Thomas Morley

3:15	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	4	6	100%
Soprano I	11	0	2	5	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	6	100%
Soprano I	11	2	5	98%
Alto	13	2	6	97%
Tenor	11	0	6	89%

Numb

Amanda Cristinna Dresch

2:48	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	0	4	100%
	13	14	1	5	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	5	0	4	100%
	13	14	1	5	99%
Violoncelo	10	0	0	5	90%
Flauta	9	0	0	5	83%
Violino	12	0	0	5	71%
	9	0	0	5	57%

O Maria Dei genitrix

Ignazio Donati

2:18	Est. Play Time
69	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	12	2	6	100%
	0	0	0	0%
Soprano	14	2	9	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	12	2	6	100%
	0	0	0	0%
Soprano	14	2	9	100%

O sacrum convivium

Arcadelt, Jacob

2:48	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trombone 2	10	0	0	7	100%
Trumpet in C 2	12	0	0	7	99%
View all 5 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Trombone 2	10	7	100%
Trumpet in C 2	12	7	99%
Trumpet in C 1	9	7	94%
Bass Trombone	9	7	89%
Trombone 1	9	6	77%

O Salutaris hostia

Ignazio Donati

2:42	Est. Play Time
70	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	3	7	100%
BC	12	1	6	100%
	0	0	0	0%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	3	7	100%
BC	12	1	6	100%
	0	0	0	0%