Play Along Piano

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Musikalting 1

Sondremk2

2:21	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	17	11	6	100%
	17	3	6	4	50%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	17	11	6	100%
	17	3	6	4	50%
Elektrisk gitar	24	9	8	8	91%
Strykere	24	26	9	8	76%
	4	2	0	2	6%
Elektrisk bass	21	0	7	6	74%
Timpani	2	0	0	3	6%
Messing	10	7	2	3	5%
	2	1	0	1	5%

Mystical Woodlands

Inchworm

2:07	Est. Play Time
82	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon 1	27	0	6	9	84%
Bassoon 2	24	0	3	7	65%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon 1	27	0	6	9	84%
Bassoon 2	24	0	3	7	65%
B♭ Clarinet 1	21	0	4	6	60%
Oboe 1	20	0	5	7	54%
B♭ Clarinet 2	20	0	3	7	50%
Flute 1	21	0	3	9	45%
Marimba	18	14	1	5	30%
	13	4	0	3	41%
Oboe 2	18	0	3	8	32%
Flute 2	18	0	2	8	28%

Mulier quid ploras

Giovanni Ghizzolo

3:52	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	22	0	6	9	91%
	22	0	7	7	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	22	6	9	91%
	22	7	7	100%
Tenore	13	4	9	76%
Alto	10	2	9	55%
Canto	13	4	9	53%
Basso	13	4	7	33%

Music, all powerful

Thomas Attwood Walmisley

4:24	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	5	9	100%
Tenor	16	0	5	9	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	5	9	100%
Tenor	16	5	9	95%
Bass	21	8	8	93%
Soprano	13	3	11	91%

Motet pour la trinité H.319

Marc-Antoine Charpentier

4:54	Est. Play Time
119	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
[Basse Continue]	17	0	5	8	100%
[Dessus]	14	0	4	8	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
[Basse Continue]	17	5	8	100%
[Dessus]	14	4	8	92%
[Haute-contre]	13	5	8	90%
[Basse]	13	3	8	81%

Morir non puo il core

Bernardino Mosto

1:44	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	8	96%
Quinto	9	0	2	8	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	1	8	96%
Quinto	9	2	8	96%
Soprano	9	2	7	96%
Tenor	11	2	7	96%
Bass	12	3	7	92%

Musae Iovis

Benedictus Appenzeller

4:50	Est. Play Time
125	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	13	0	1	9	97%
Superius	12	0	0	7	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	13	1	9	97%
Superius	12	0	7	94%
Tenor 2	13	1	9	92%
Bass	13	2	6	87%

Mortals awake, with angels join

Thomas Clark

4:31	Est. Play Time
153	Measures
	1,071Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	19	0	4	8	100%
Soprano	14	0	4	8	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	19	4	8	100%
Soprano	14	4	8	90%
Alto	21	3	8	85%
Bass	24	5	8	75%
Tenor	14	3	8	51%

My Little First Symphony

sebascaicedo5

8:03	Est. Play Time
183	Measures
	2,234Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	42	14	9	11	91%
Cello	25	2	6	11	89%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	42	14	9	11	91%
Cello	25	2	6	11	89%
Violin II	34	19	13	10	87%
Viola	28	4	8	8	84%
Contrabass	24	0	6	7	77%
Bassoon	31	0	2	6	58%
A Clarinet	39	0	4	7	51%
Flute I-II	26	0	2	8	46%
	22	0	2	7	42%
Horn in F I-II	23	0	1	6	42%
	27	0	3	6	44%
Oboe I-II	24	0	2	6	42%
	25	0	3	6	42%
Timpani	13	0	0	5	31%