Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Messiah| No.46 Since By Man Came Death

Pete Alan

1:43	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	2	5	92%
Bass	15	0	3	5	92%
Soprano	12	0	3	5	92%
Tenor	10	0	1	6	92%
Continuo	23	36	5	4	70%
	21	39	4	4	72%
Fagott, Bassoon	16	0	2	3	68%
Violins, Viola	13	0	1	3	68%
Violins, Violin I	13	0	3	5	68%
Violins, Violin II	13	0	2	3	68%
Violoncellos, Cello	16	0	2	3	68%
Oboe, Oboe	10	0	2	4	59%

Miniature for the reduced orchestra: Ist movement Allegro Moderato

Oboistie

1:11	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabbasso	11	8	2	6	83%
Violoncello	13	5	2	5	83%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabbasso	11	8	2	6	83%
Violoncello	13	5	2	5	83%
Viola	12	8	1	4	72%
Oboe	16	0	2	4	69%
Violino	18	5	3	5	64%
Timpani	6	0	0	4	61%
Fagotto	13	0	1	4	58%
Flauto	12	0	1	4	47%
Trombone	9	0	0	4	42%
Corno in F	5	0	1	4	33%

moaaaawana

lohehung27

1:54	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	1	0	2	28%
	0	0	0	0	0%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	2	1	0	2	28%
	0	0	0	0	0%
Electric Bass	17	7	1	6	98%
Guitar	20	23	3	9	83%
Violins	13	21	2	6	73%
Violoncellos	13	2	1	7	68%
Flute	4	0	0	1	28%
Horn in F	6	0	0	6	28%

Merry Christmas (from Scrooge Musical Adaptation) Draft

Tom Potten

1:00	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	3	4	100%
	13	0	4	4	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	3	4	100%
	13	4	4	100%
Viola	14	5	6	100%
Violoncello	13	6	4	100%
Baritone	8	4	5	50%
	5	2	3	65%
Alto	5	1	2	44%
Soprano	6	1	2	44%
B♭ Trumpet	8	0	6	17%

Mercy Mercy

mianseay

1:18	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Saxofón tenor	12	0	3	3	100%
Saxofón contralto	18	0	5	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Saxofón tenor	12	3	3	100%
Saxofón contralto	18	5	8	97%
	19	4	8	97%
Clarinete en Si♭	8	1	6	58%
Violín	9	2	6	58%

monday

jepago

0:57	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	5	2	2	100%
	4	0	0	2	100%
Viola	13	1	2	3	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	5	2	2	100%
	4	0	0	2	100%
Viola	13	1	2	3	92%

Missa "Au travail suis" Kyrie Johannes Ockeghem

pental

2:32	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	2	6	92%
Superius	14	0	3	6	92%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	2	6	92%
Superius	14	3	6	92%
Tenor	13	1	6	90%
Bassus	13	1	5	69%

Messiah| No.39: Their Sound Is Gone Out

Pete Alan

1:21	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	0	4	6	100%
Viola	15	0	3	7	100%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello	20	4	6	100%
Viola	15	3	7	100%
Violin 1	22	5	9	100%
Violin 2	21	5	8	100%
Oboe 1	16	4	8	95%
Soprano	14	3	7	95%
Tenor	13	3	5	95%
Oboe 2	16	2	7	92%
Bass	15	2	6	87%
Alto	9	1	7	84%

Messe Basse - Fauré - I. Kyrie eleison

Jwagner

1:39	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	27	41	10	5	85%
	31	50	11	5	87%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	27	41	10	5	85%
	31	50	11	5	87%
Soprano solo	15	0	6	7	69%
Soprano	12	0	2	7	55%
Alto	16	0	4	5	53%
Bass I+II	15	2	4	5	53%
Tenor	18	0	6	4	53%

1-miserere de zelenka 1 ténors

arpeggio-limoges

1:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	6	6	100%
Violino II	25	90	9	5	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	6	6	100%
Violino II	25	90	9	5	98%
Alto	9	0	2	6	56%
Basso	11	0	3	6	56%
Tenore	11	0	2	5	56%
Soprano	11	0	4	5	53%

Midnight March

Callum Destiny

1:38	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	14	1	2	7	92%
B♭ Clarinet 2	18	1	2	7	92%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	14	1	2	7	92%
B♭ Clarinet 2	18	1	2	7	92%
Horn in F	15	1	2	7	92%
Baritone Saxophone	13	3	1	7	86%
Bass Clarinet	15	3	1	7	86%
Euphonium	13	3	1	7	86%
Tenor Saxophone	12	0	1	7	86%
Trombone 1	12	0	0	7	86%
Trombone 2 Bass Trombone	11	4	0	7	86%
Tuba	12	0	0	7	86%
B♭ Clarinet 1	18	1	2	7	82%
Timpani	8	0	0	6	80%
Flute	12	4	2	6	76%
Oboe	14	5	2	6	76%
B♭ Trumpet 1	17	0	1	6	71%
B♭ Trumpet 2	16	0	3	6	71%
Glockenspiel	13	4	1	6	67%

Minimal Piece No. 1

Stefanokud

0:01	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet 1	6	0	1	4	98%
B Trumpet 2	6	0	1	3	93%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet 1	6	1	4	98%
B Trumpet 2	6	1	3	93%
Violins	14	2	3	93%
Organ	6	1	2	30%
	7	1	3	61%
	1	0	2	31%

1-miserere de zelenka 1 sopranes

arpeggio-limoges

1:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	6	6	100%
Violino II	25	90	9	5	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	6	6	100%
Violino II	25	90	9	5	98%
Alto	9	0	2	6	56%
Basso	11	0	3	6	56%
Tenore	11	0	2	5	56%
Soprano	11	0	4	5	53%