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Composition: Piano
Composition: Treble
Measures: < 20
Participation: 0%
Participation: 80%-99%
Unique Durations: 6-7
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
The melody of the soul ease
A8P8qBU0y3
1:12 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 6 94%
Bass 12 0 1 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 0 4 6 94%
Bass 12 0 1 2 100%
 
A Melody
snakes10000001
0:44 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 17 0 0 1 85%
Violin Treble 15 1 2 7 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 17 0 0 1 85%
Violin Treble 15 1 2 7 92%
 
Marche Van De begijnen (HS.dGJ.120)
Johan Van der Elst
1:00 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 9 0 2 7 100%
Cello Bass 10 0 2 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 9 0 2 7 100%
Cello Bass 10 0 2 6 89%
 
Mazurka, Op.1 No.1 - Alais, Juan (1844 - 1914) - Tablature
Marieh
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 21 11 3 6 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 21 11 3 6 83%
 
maszerują strzelcy-szara piechota
adamszerafin
0:41 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 4 6 100%
Bass 16 0 4 6 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 4 6 100%
Bass 16 0 4 6 80%
 
Memories of galilee - Horatio R. Palmer
Real Jesus
0:41 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 8 0 6 80%
Bass 10 11 0 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 8 0 6 80%
Bass 10 11 0 5 96%
 
Mazurka, Op.1 No.1 - Alais, Juan (1844 - 1914)
Marieh
0:52 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 21 11 3 6 83%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 21 11 3 6 83%
 
March
ImDark73
1:02 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 10 6 6 89%
Bass 15 8 5 5 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 10 6 6 89%
Bass 15 8 5 5 95%
 
Melody Analysis 2
allypritts
0:42 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 6 100%
Bass 10 0 0 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 0 6 100%
Bass 10 0 0 6 93%
 
Melothesia 3 of 23
Locke, Matthew
0:20 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 2 1 6 93%
Bass 15 2 0 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 2 1 6 93%
Bass 15 2 0 6 100%
 
Melothesia 20 of 23
Locke, Matthew
0:32 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 1 7 88%
Bass 17 0 4 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 1 7 88%
Bass 17 0 4 6 88%
 
Melothesia 4 of 23
Locke, Matthew
1:04 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 6 100%
Bass 20 1 4 7 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 1 2 6 100%
Bass 20 1 4 7 88%
 
Melothesia 6 of 23
Locke, Matthew
0:52 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 2 3 6 100%
Bass 21 3 3 6 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 2 3 6 100%
Bass 21 3 3 6 80%
 
Melothesia 21 of 23
Locke, Matthew
1:12 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 4 1 7 100%
Bass 14 1 2 7 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 4 1 7 100%
Bass 14 1 2 7 81%
 
Melothesia 7 of 23
Locke, Matthew
1:00 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 0 6 100%
Bass 18 3 1 7 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 0 6 100%
Bass 18 3 1 7 85%
 
Melothesia 18 of 23
Locke, Matthew
0:32 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 1 7 88%
Bass 17 0 4 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 2 1 7 88%
Bass 17 0 4 6 88%
 
Melothesia 17 of 23
Locke, Matthew
1:12 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 4 3 5 100%
Bass 20 0 4 6 88%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 4 3 5 100%
Bass 20 0 4 6 88%