Play Along Piano

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LINEの着信音を主題とする現代音楽

Ryu Kawakami

1:28	Est. Play Time
47	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	15	5	9	98%
		39	34	14	9	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	15	5	9	98%
		39	34	14	9	90%

The Long and Winding Road for Voice and Piano

Tin-Woodman

2:56	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	29	2	8	86%
	12	6	1	5	98%
Male Voice	11	0	1	7	94%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	29	2	8	86%
	12	6	1	5	98%
Male Voice	11	0	1	7	94%

Lindy Lady (1923)

Œnanthic

1:53	Est. Play Time
49	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	40	7	9	92%
		26	23	8	8	90%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	40	7	9	92%
		26	23	8	8	90%

Lincolnshire Posy Brass Chorale?

TheRealDing

2:42	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	4	5	7	97%
Horn in F	20	18	8	9	95%
View all 9 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	20	4	5	7	97%
Horn in F	20	18	8	9	95%
	18	23	4	9	95%
Baritone Horn	12	0	4	5	29%
	14	1	4	7	89%
B♭ Trumpet 1	9	0	1	7	53%
B♭ Trumpet 2	15	0	2	8	53%
B♭ Trumpet 3	12	1	2	7	45%
B♭ Trumpet Solo	10	0	1	8	34%

Lethe

Eustachina

2:59	Est. Play Time
50	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	18	4	9	90%
		22	23	3	4	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	18	4	9	90%
		22	23	3	4	100%

Lorena (1857 Civil War song, violin & piano, A/F#m/A)

Heraclitus

2:51	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	15	1	9	17%
	23	18	3	6	59%
Violin	16	6	1	14	83%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	15	1	9	17%
	23	18	3	6	59%
Violin	16	6	1	14	83%

Lifelight

Spencer Akey

1:29	Est. Play Time
54	Measures
	2,017Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	62	8	8	98%
	29	31	5	8	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	31	62	8	8	98%
	29	31	5	8	100%
Bass	17	0	3	8	100%
Guitar	24	42	6	8	100%
Tuba	15	0	2	8	100%
Mallets	19	5	5	8	98%
Tenor Sax	18	0	4	8	94%
Bass Clarinet	17	0	3	8	94%
Baritone Saxophone	17	0	3	8	93%
Trombone	12	18	2	8	92%
Flute	17	0	5	8	90%
Alto Sax	17	24	4	8	86%
Trumpet	19	24	4	8	82%

the lords prayer duet for handbells and piano

[email protected]

2:50	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hand Bells	16	17	4	7	96%
	15	0	4	1	2%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Hand Bells	16	17	4	7	96%
	15	0	4	1	2%
	14	8	2	7	79%
	9	0	1	1	2%
Organ	30	68	9	8	68%
	36	109	10	8	93%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
Nemorino	13	0	3	6	91%
Soprano 2	9	0	0	7	51%
Soprano 1	8	0	0	7	50%
Giannetta	9	0	0	8	41%
Adina	2	0	0	2	7%
Dulcamara	2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet

Papibois

1:56	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
Nemorino	13	0	3	6	91%
Soprano 2	9	0	0	7	51%
Soprano 1	8	0	0	7	50%
Giannetta	9	0	0	8	41%
Adina	2	0	0	2	7%
Dulcamara	2	0	0	3	7%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet - SOPRANO 2

Papibois

1:56	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
Nemorino	13	0	3	6	91%
Soprano 2	9	0	0	7	51%
Soprano 1	8	0	0	7	50%
Giannetta	9	0	0	8	41%
Adina	2	0	0	2	7%
Dulcamara	2	0	0	3	7%

Les Souvenirs

Gosutosheru

2:57	Est. Play Time
59	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	13	12	8	86%
		34	1	8	5	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	13	12	8	86%
		34	1	8	5	99%

L’ELISIR D’AMORE de Donizetti : Chœurs Partie 13/16 Acte 2 : Coro Scena 5 Quartet -SOPRANO 1

Papibois

1:56	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	36	6	5	100%
	29	37	8	8	92%
Nemorino	13	0	3	6	91%
Soprano 2	9	0	0	7	51%
Soprano 1	8	0	0	7	50%
Giannetta	9	0	0	8	41%
Adina	2	0	0	2	7%
Dulcamara	2	0	0	3	7%

THE LORD'S PRAYER

chrisk123

2:45	Est. Play Time
55	Measures
	1,700Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	21	24	4	7	98%
	20	22	4	5	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano	21	24	4	7	98%
	20	22	4	5	100%
String Synthesizer	29	37	7	7	98%
	29	27	6	5	100%
Bassoon	18	8	3	7	100%
Flute	22	0	4	7	100%
Horn in F	17	21	3	6	100%
Trombone	23	13	4	7	100%
Trumpet	22	0	4	7	100%
Tuba	20	22	4	6	100%
Violoncellos	29	27	6	5	100%
Violins	29	37	7	7	98%
Harp	23	19	3	9	95%
	21	24	4	7	93%
Solo	15	0	3	7	85%
Women	18	14	3	4	60%
Timpani	20	15	5	6	57%
Men	17	8	4	2	47%