Play Along Piano

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Lamentations 4 voices

Alexander Agricola

5:40	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	2	7	96%
Tenor	10	0	1	5	86%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	15	0	2	7	96%
Tenor	10	0	1	5	86%
Bass	11	1	2	6	85%
Soprano	14	0	4	6	74%

Laetamini cito cum gaudio

Francesco della Porta

3:52	Est. Play Time
133	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	20	0	6	6	100%
	0	0	0	0	0%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	20	6	6	100%
	0	0	0	0%
Tenor	16	4	8	77%
Bass	19	4	6	74%

Leggiadrissima eterna

Luca Marenzio

4:17	Est. Play Time
124	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	0	4	9	90%
Quinto	15	0	5	9	90%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	4	9	90%
Quinto	15	5	9	90%
Canto	13	3	9	89%
Sesto	14	4	8	84%
Basso	14	2	8	75%
Tenore	13	1	8	70%

Leggiadre Ninfe

Luca Marenzio

3:00	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	3	8	93%
Quinto	12	0	3	8	86%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	3	8	93%
Quinto	12	3	8	86%
Canto	10	2	8	80%
Basso	13	2	7	74%
Sesto	11	2	8	74%
Tenore	13	2	8	68%

Lauda Jerusalem octavi toni

Giovanni Gastoldi

5:48	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	8	0	0	6	94%
Soprano	9	0	1	6	78%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	8	0	6	94%
Soprano	9	1	6	78%
Tenor 2	10	1	6	76%
Alto	10	2	6	74%
Bass	12	2	6	74%

L'auro e i topaci

Luca Marenzio

2:04	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	2	6	92%
Alto	11	0	2	5	85%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	2	6	92%
Alto	11	2	5	85%
Quinto	12	1	6	73%
Tenore	11	1	6	66%
Basso	12	1	6	56%
Sesto	11	1	5	56%

Là dove sono i pargoletti Amori

Luca Marenzio

2:28	Est. Play Time
75	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	15	0	5	7	99%
Quinto	16	0	5	6	93%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	15	5	7	99%
Quinto	16	5	6	93%
Sesto	14	4	6	81%
Alto	15	4	5	64%
Basso	13	1	7	55%
Tenore	11	1	7	54%

The Last Lap

Joshua Caleb

2:03	Est. Play Time
84	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	45	19	6	80%
		40	73	19	4	68%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		34	45	19	6	80%
		40	73	19	4	68%

Lần cuối - Ngọt

Ngô Minh Tân

3:29	Est. Play Time
73	Measures
	1,055Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	8	10	99%
	29	17	7	7	67%
	42	61	14	8	97%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	124	8	10	99%
	29	17	7	7	67%
	42	61	14	8	97%

Landscape of Solitude (Shelter - Porter Robinson & Madeon - Arklight Percussion Arrangement)

Maxentius

3:05	Est. Play Time
75	Measures
	1,790Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Glockenspiel	15	5	0	8	99%
Vibraphone	18	32	0	8	84%
View all 7 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Glockenspiel	15	5	8	99%
Vibraphone	18	32	8	84%
	15	10	9	84%
	15	15	9	63%
Marimba	13	0	2	6%
	17	21	7	74%
Xylophone	13	4	6	51%

Laetatus sum

Francisco Valls

4:20	Est. Play Time
129	Measures
	1,089Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	18	0	4	6	100%
Tenor	14	0	3	7	79%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	18	4	6	100%
Tenor	14	3	7	79%
	12	3	7	64%
Alto	11	4	7	78%
	8	2	8	64%
Soprano	13	3	8	64%
Bass	18	4	8	64%