Active Filters:
Composition: Ensemble
Participation: 1%-49%
Participation: 80%-99%
Participation: 100%
Play Time: > 3:20
Unique Durations: 1-3
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"
Roland Bouman
5:52 Est. Play
Time
47 Measures
1,796Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 28 0 10 8 100%
Violoncello Bass 25 0 8 3 100%
Violas 22 0 8 4 98%
Violins
1		 Treble 19 0 6 7 98%
Violins
2		 Treble 22 0 9 4 98%
Alto Treble 17 0 6 7 77%
 
J. S. Bach: Stirb in mir (BWV 169 #5)
BSG
5:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Vcl/Cto Bass 30 0 12 2 100%
Viola 22 0 8 4 100%
Violin
1		 Treble 18 0 5 5 100%
Violin
2		 Treble 21 0 9 4 100%
Alto Treble 20 0 8 6 60%
Organ Treble 26 0 9 6 60%
 
Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes
Bartók forever
5:27 Est. Play
Time
159 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran
(C-Schlüssel)		 15 0 5 5 97%
Tenor
(C-Schlüssel)		 17 0 5 5 97%
Alt
(C-Schlüssel)		 14 0 3 5 97%
Bass Bass 14 3 4 5 76%
Klavier Treble 10 8 3 1 5%
Bass 5 2 0 1 4%
 
J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!
Samuel Ricke
3:26 Est. Play
Time
46 Measures
1,134Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauto
traverso
I.		 Treble 22 0 8 8 100%
Organo. Treble 22 50 8 5 87%
Bass 28 0 10 3 87%
Fagotto. Bass 28 0 10 3 87%
Organo
e
Continuo.		 Bass 28 0 10 3 87%
Violone. Bass 28 0 10 3 87%
Viola. 17 0 6 4 76%
Violino
I.		 Treble 21 0 6 3 76%
Violino
II.		 Treble 21 0 6 3 76%
Flauto
traverso
II.		 Treble 18 0 5 2 70%
Soprano. 16 0 6 7 61%
 
J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei
Samuel Ricke
6:26 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 22 88 10 6 100%
Bass 22 0 9 3 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 22 88 10 6 100%
Bass 22 0 9 3 100%
Continuo. Bass 22 0 9 3 100%
Violino
I.II.		 Treble 27 0 9 4 100%
Violone. Bass 22 0 9 3 100%
Alto. 18 0 6 6 69%
 
J.S. Bach: Gute Nacht, o Wesen (BWV 227, #9)
BSG
7:34 Est. Play
Time
106 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 16 0 5 5 100%
Soprano Treble 18 0 6 6 99%
Treble 16 0 5 5 98%
Alto Treble 12 0 2 3 36%
 
J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.
Samuel Ricke
3:32 Est. Play
Time
53 Measures
1,124Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo. Treble 23 24 6 9 98%
Bass 28 0 9 4 100%
Violoncello. Bass 28 0 9 3 100%
Violone. Bass 28 0 9 3 100%
Cornetto. 13 0 4 8 89%
Soprano. 13 0 4 6 89%
Alto. 14 0 5 7 83%
Trombone
I.		 14 0 5 6 83%
 
J.S.Bach: Chorale: Zion hört die Wächter singen (BWV 140 #4), Continuo realization exercise by BSG
BSG
4:22 Est. Play
Time
75 Measures
1,889Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins Treble 21 0 7 6 100%
Realization Treble 17 66 3 4 99%
Continuo Bass 20 0 5 3 99%
Violoncello Bass 20 0 5 3 99%
Tenors Treble 10 0 0 6 45%
 
Jolly be good
Vaccinius
8:21 Est. Play
Time
348 Measures
1,594Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 12 0 1 3 58%
Violins
I		 Treble 13 0 0 3 45%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncellos Bass 12 0 1 3 58%
Violins
I		 Treble 13 0 0 3 45%
Violas 18 0 0 3 42%
Bassoons Bass 13 0 0 4 37%
Oboes Treble 14 0 1 3 35%
Flutes Treble 15 0 2 6 33%
Contrabasses Bass 8 0 0 3 32%
Trumpets
in
B♭		 Treble 16 0 3 3 29%
Horns
in
F		 Treble 11 0 1 2 14%
Treble 15 0 1 3 26%
Clarinets
in
B♭		 Treble 14 0 2 3 25%
Violins
II		 Treble 13 0 1 2 20%