Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Johnny Boy

imtired400

0:56	Est. Play Time
37	Measures
	1,096Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto Saxophone	10	8	0	6	96%
Baritone Saxophone	8	0	0	5	96%
View all 11 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Alto Saxophone	10	8	6	96%
Baritone Saxophone	8	0	5	96%
Baritone Horn	9	7	3	70%
Sousaphone	12	6	3	70%
B♭ Clarinet	6	5	1	59%
Piccolo	4	0	1	59%
Mellophone	2	0	2	30%
Tenor Saxophone	2	0	1	30%
B♭ Trumpet	4	0	4	19%
	4	0	4	19%
Trombone	4	0	4	19%

Johann Georg Albrechtsberger (1736-1809): Kurze Regeln des reinsten Satzes

Bartók forever

5:27	Est. Play Time
159	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97%
Tenor (C-Schlüssel)	17	0	5	5	97%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran (C-Schlüssel)	15	0	5	5	97%
Tenor (C-Schlüssel)	17	0	5	5	97%
Alt (C-Schlüssel)	14	0	3	5	97%
Bass	14	3	4	5	76%
Klavier	10	8	3	1	5%
	5	2	0	1	4%

J.S. Bach: Matthäus-Passion, BWV 244: VI. Recitative: Da ging hin der Zwölfen einer

Samuel Ricke

0:38	Est. Play Time
9	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	11	12	3	2	88%
	9	0	2	1	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	11	12	3	2	88%
	9	0	2	1	89%
Continuo.	9	0	2	1	89%
Evangelist.	11	0	2	3	89%
Violone.	9	0	2	1	89%
Judas.	8	0	1	2	33%

John Dowland: Flow my tears

H. Gürtler

4:15	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	14	0	2	8	100%
Canto	11	0	2	7	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso	14	0	2	8	100%
Canto	11	0	2	7	100%
Laute 7-chörig	25	22	5	6	96%
	25	22	5	6	96%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
	28	0	10	3	87%
Fagotto.	28	0	10	3	87%
Organo e Continuo.	28	0	10	3	87%
Violone.	28	0	10	3	87%
Viola.	17	0	6	4	76%
Violino I.	21	0	6	3	76%
Violino II.	21	0	6	3	76%
Flauto traverso II.	18	0	5	2	70%
Soprano.	16	0	6	7	61%

J.D. Zelenka: Lamentatio I (complete, from ZWV 53)

BSG

16:22	Est. Play Time
150	Measures
	1,706Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	0	10	8	96%
Contrabass	23	0	10	8	96%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	23	10	8	96%
Contrabass	23	10	8	96%
Violin 1	28	11	11	75%
Violin 2	27	11	9	75%
Bass	16	5	9	74%
Viola	23	7	9	59%
Oboe 1	19	8	9	31%
Oboe 2	19	7	8	29%

Jazzy Quartet

Marshmellow642

0:31	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone	9	0	0	4	88%
Tenor Saxophone	6	0	0	4	88%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Baritone Saxophone	9	4	88%
Tenor Saxophone	6	4	88%
Alto Saxophone	13	5	81%
	14	3	75%

Johannes BRAHMS - Sechs Quartette, Op.112 - IV. Zigeunerlieder n°2

fredipi

0:45	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	34	3	5	78%
	22	27	1	6	91%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	22	34	3	5	78%
	22	27	1	6	91%
Alto	9	0	0	6	92%
Bass	10	0	0	6	92%
Soprano	10	0	1	6	89%
Tenor	10	0	2	6	89%

John quoth Joan

Richard Nicholson

3:42	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	12	0	3	5	89%
	11	0	2	5	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	12	3	5	89%
	11	2	5	100%
	10	1	5	100%
	14	4	5	100%
	10	1	5	100%

Jerusalem surge

Jacobus Clemens non Papa

5:06	Est. Play Time
154	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	13	0	2	7	99%
Soprano	14	0	3	7	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 1	13	2	7	99%
Soprano	14	3	7	98%
Alto 2	12	2	8	95%
Tenor	12	1	7	92%
Bass	12	1	6	87%

Jesu, Deus, amor meus

Mamerts Celminskis

0:55	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	46	1	4	98%
	17	9	2	4	97%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	16	46	1	4	98%
	17	9	2	4	97%
SOPRANO ALTO	12	0	1	3	88%
TENOR BASS	14	1	1	3	86%

Jetz ists genug

Jacob Regnart

0:29	Est. Play Time
13	Measures

	Unique Notes	Rhythmic Complexity	Percent Played
Soprano 2	4	5	100%
Tenor	6	4	100%
Soprano 1	4	2	94%

	Unique Notes	Rhythmic Complexity	Percent Played
Soprano 2	4	5	100%
Tenor	6	4	100%
Soprano 1	4	2	94%