Active Filters:
Measures: < 20
Participation: 50%-79%
Participation: 80%-99%
Unique Accidentals: 3-4
Unique Chords: None
Unique Chords: 1-2
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
156. Herzlich thut mich verlangen (Ach Herr mich armen Sünder). BWV 135/6.
SDG
0:57 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 19 0 5 6 100%
Contrabass Bass 14 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 19 0 5 6 100%
Contrabass Bass 14 0 4 4 50%
 
Hensel Fanny Mendelssohn Sechs Lieder Op.9 No. 5 Der Maiabend
claire
0:36 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 16 22 2 6 100%
Bass 17 10 2 6 100%
Singstimme Treble 14 0 3 6 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 16 22 2 6 100%
Bass 17 10 2 6 100%
Singstimme Treble 14 0 3 6 92%
 
158. Herzlich thut mich verlangen (Befiehl du deine Wege). BWV 271.
SDG
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 20 0 5 4 100%
Contrabass Bass 14 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 2 4 100%
Tenor/Bass Bass 20 0 5 4 100%
Contrabass Bass 14 0 3 4 50%
 
139. Herr Jesu Christ, dich zu uns wend'. BWV 332.
SDG
0:29 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 3 100%
Tenor/Bass Bass 17 0 3 2 100%
Contrabass Bass 14 0 3 2 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 1 3 100%
Tenor/Bass Bass 17 0 3 2 100%
Contrabass Bass 14 0 3 2 50%
 
125. Helft mir Gott's Güte preisen (All solch dein' Güt' wir preisen). Cantate 16, Herr Gott, dich loben wir. BWV 16/6.
SDG
0:48 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 17 0 4 4 100%
Contrabass Bass 12 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 17 0 4 4 100%
Contrabass Bass 12 0 3 3 50%
 
142. Herr Jesu Christ, du höchstes Gut (Stärk mich mit deinem Freudengeist). BWV 113/8
SDG
0:51 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 13 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 21 0 6 4 100%
Contrabass Bass 13 0 3 4 50%
 
169. Herzliebster Jesu, was hast du verbrochen (Ach grosser König, gross zu allen Zeiten). BWV 245/17
SDG
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 23 0 6 4 100%
Contrabass Bass 17 0 4 3 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 5 100%
Tenor/Bass Bass 23 0 6 4 100%
Contrabass Bass 17 0 4 3 52%
 
148. Herr, nun lass in Friede. BWV 337.
SDG
0:38 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 20 0 5 3 100%
Contrabass Bass 16 0 4 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 20 0 5 3 100%
Contrabass Bass 16 0 4 3 50%