Active Filters:
Composition: Duet
Measures: 35 - 60
Participation: 0%
Participation: 50%-79%
Play Time: 1:00 - 1:30
Play Time: 2:10 - 3:20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
How far I'll go very easy piano Moana
BartokMotzart
2:27 Est. Play
Time
50 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 5 8 98%
Treble 11 6 1 4 22%
Bass 17 21 5 4 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 5 8 98%
Treble 11 6 1 4 22%
Bass 17 21 5 4 78%
 
Ho' il cor ferito e moriro
Giovanni Felice Sances
2:56 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 17 0 5 6 100%
Treble 0 0 0 0 0%
Soprano Treble 11 0 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 17 0 5 6 100%
Treble 0 0 0 0 0%
Soprano Treble 11 0 2 6 100%
 
household of faith
sch07051
2:55 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 9 9 94%
Bass 28 2 2 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 64 9 9 94%
Bass 28 2 2 6 100%
Soprano/Alto Treble 19 7 4 9 85%
Tenor/Bass Bass 17 1 2 9 72%
 
hope's risk
tburch
2:46 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 11 2 9 100%
Bass 21 20 1 7 100%
Warm
Synthesizer		 Bass 18 13 0 5 52%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 11 2 9 100%
Bass 21 20 1 7 100%
Warm
Synthesizer		 Bass 18 13 0 5 52%
 
How Far I ll Go
awesomeorca
2:30 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 6 0 8 58%
Bass 28 36 7 7 100%
Violin Treble 17 0 3 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 6 0 8 58%
Bass 28 36 7 7 100%
Violin Treble 17 0 3 8 100%
 
Hercule Poirot theme for flute (or violin) and classical guitar
the guitarrist
2:21 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klassische
Gitarre		 Treble 41 28 18 8 90%
Flöte Treble 29 0 13 9 76%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klassische
Gitarre		 Treble 41 28 18 8 90%
Flöte Treble 29 0 13 9 76%
 
Highway to Hell
JaredOtte
1:26 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 7 0 0 4 100%
Trombone Bass 7 0 0 3 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tuba Bass 7 0 0 4 100%
Trombone Bass 7 0 0 3 98%
B♭
Trumpet		 Treble 7 0 1 3 69%
Treble 8 0 2 3 74%
 
Holmès, Augusta - 20 Mélodies (No. 19 Coucher de soleil)
Eloge
2:16 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 53 7 5 100%
Bass 25 24 10 7 53%
Chant Voice Treble 12 0 2 11 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 53 7 5 100%
Bass 25 24 10 7 53%
Chant Voice Treble 12 0 2 11 78%
 
The Hills of Glen Orchy The Campbells are Coming
davechristie94
2:15 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Accordion Treble 11 4 0 5 100%
Bass 15 10 0 3 91%
Violin Treble 11 4 0 5 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Accordion Treble 11 4 0 5 100%
Bass 15 10 0 3 91%
Violin Treble 11 4 0 5 67%
 
Hm
Teo0
2:25 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sintetizador
de
Cuerdas		 Treble 20 25 7 3 96%
Bass 8 0 1 3 55%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sintetizador
de
Cuerdas		 Treble 20 25 7 3 96%
Bass 8 0 1 3 55%
Marimba Treble 14 3 2 5 78%
Bass 16 1 2 4 75%
 
Holmès, Augusta - Mélodies pour piano et chant, No.13 - Le brick l'Espérance - TEMPLATE
OpenScore LiederCorpus
1:11 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chant Voice Treble 10 0 2 5 69%
Chant Voice verse
2		 Treble 8 0 2 4 69%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Chant Voice Treble 10 0 2 5 69%
Chant Voice verse
2		 Treble 8 0 2 4 69%
 
Holms_Augusta_Mary_Anne_-_Les_Sept_Ivresses_No.1_-_LAmour
pental
2:56 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 38 11 8 75%
Treble 36 20 17 8 96%
Chant Voice Treble 19 0 10 9 90%
 
Holmès, Augusta - 20 Melodies No. 19 Coucher de soleil
OpenScore LiederCorpus
2:16 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 52 7 5 100%
Bass 25 23 10 7 53%
Chant Voice Treble 12 0 2 11 78%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 52 7 5 100%
Bass 25 23 10 7 53%
Chant Voice Treble 12 0 2 11 78%
 
Hilsen (Gruss) Edard Grieg
pental
1:00 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 39 9 4 100%
Bass 34 26 7 4 92%
Voice Treble 14 0 5 6 73%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 39 9 4 100%
Bass 34 26 7 4 92%
Voice Treble 14 0 5 6 73%