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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Hello My Baby /// Ragtime arrangement (Live recording)
Peter Yost
0:22 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 1 0 7 89%
Bass 26 26 6 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 1 0 7 89%
Bass 26 26 6 2 100%
 
Heroes of Might and Magic III — Waiting Theme
rominf
0:52 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Фортепиано Bass 24 18 6 8 100%
Bass 16 4 3 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Фортепиано Bass 24 18 6 8 100%
Bass 16 4 3 3 100%
 
Hindemith - Symphonic Metamorphosis: Turandot, Scherzo Low Brass Excerpts
MarshallTRogers
0:56 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone I Bass 19 0 8 2 100%
Trombone II Bass 16 0 6 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone I Bass 19 0 8 2 100%
Trombone II Bass 16 0 6 2 100%
Trombone III Bass 21 0 8 2 100%
Tuba Bass 20 0 8 2 55%
 
Het is volbracht! (variant II). Composed by Gertim.
SDG
0:45 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 6 3 100%
Bass 20 0 5 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 6 3 100%
Bass 20 0 5 3 100%
 
Holy Crap Inversions
Riley Witherell
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 12 5 100%
Bass 12 15 8 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 0 12 5 100%
Bass 12 15 8 2 100%
 
Hellfire Organ Cover
Jonny Music
0:01 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 3 4 10 95%
Bass 34 76 8 8 100%
Bass 19 9 3 8 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 22 3 4 10 95%
Bass 34 76 8 8 100%
Bass 19 9 3 8 99%
 
Herdenking
Musdellavi
0:48 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 6 5 100%
Bass 22 3 8 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 19 0 6 5 100%
Bass 22 3 8 5 98%
 
The Holly and the Ivy
jwpratt
0:27 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 27 5 3 100%
Bass 19 23 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 27 5 3 100%
Bass 19 23 5 4 100%
 
Holy Crap
Riley Witherell
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 9 5 100%
Bass 17 14 9 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 0 9 5 100%
Bass 17 14 9 2 100%
 
How Does This Work?
DaBrown
0:24 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 13 6 5 100%
Bass 13 5 4 5 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 13 6 5 100%
Bass 13 5 4 5 100%
Acoustic
Bass		 Bass 19 0 9 3 100%
Electric
Guitar		 Treble 21 5 9 5 100%
 
Hindemith Sonata for Solo Viola, Op. 11, no. 5, mvt. 2
tenadrich1
0:20 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola Bass 23 5 14 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viola Bass 23 5 14 5 100%
 
HighSchool DxD [- Innocent of D - Remix -]
FrifGer
0:59 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 17 13 7 100%
Bass 25 23 6 6 100%
Glockenspiel Treble 30 17 13 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 17 13 7 100%
Bass 25 23 6 6 100%
Glockenspiel Treble 30 17 13 7 100%
 
horribly difficult études: I. Octaves
im.jon
0:01 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 58 14 15 93%
Bass 56 58 22 11 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 44 58 14 15 93%
Bass 56 58 22 11 99%
 
Hot Cross Buns
BonsaiBoi411
0:29 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 3 0 0 3 100%
Bass 23 11 7 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 3 0 0 3 100%
Bass 23 11 7 2 100%
 
Hommage à Kurtág & Messiaen
Arcandius
0:12 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 69 10 26 8 100%
Bass 67 10 29 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 69 10 26 8 100%
Bass 67 10 29 8 100%
 
Hensel, Fanny (Mendelssohn) - 6 Lieder, Op.1, No.6 - Lied der Mignon (Heiss mich nicht reden)
DanielR
0:01 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 21 8 5 100%
Bass 28 28 9 5 100%
Voice Treble 17 0 5 4 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 21 8 5 100%
Bass 28 28 9 5 100%
Voice Treble 17 0 5 4 91%
 
141. Herr Jesu Christ, du höchstes Gut
SDG
0:51 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 5 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 14 0 3 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 4 5 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 14 0 3 4 50%
 
173. Hilf, Herr Jesu, lass gelingen. BWV 344.
SDG
0:53 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 23 0 7 5 100%
Contrabass Bass 16 0 4 4 50%