Active Filters:
Composition: Duet
Participation: 50%-79%
Participation: 80%-99%
Participation: 100%
Play Time: 1:30 - 2:10
Unique Notes: > 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Fugue sur le Cromorne
Couperin, Louis
1:33 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 6 5 8 98%
Bass 27 1 7 8 90%
Oboe Treble 15 0 3 8 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 6 5 8 98%
Bass 27 1 7 8 90%
Oboe Treble 15 0 3 8 81%
 
Fugue
Couperin, Louis
1:58 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trumpet
in
C
1		 Treble 18 0 6 8 90%
Trumpet
in
C
2		 Treble 17 0 4 8 78%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trumpet
in
C
1		 Treble 18 0 6 8 90%
Trumpet
in
C
2		 Treble 17 0 4 8 78%
Bass
Trombone		 Bass 22 0 6 7 71%
Trombone Bass 16 0 5 8 68%
 
Fugue
Couperin, Louis
1:34 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 6 6 8 93%
Bass 25 2 7 8 99%
Oboe Treble 15 0 4 8 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 6 6 8 93%
Bass 25 2 7 8 99%
Oboe Treble 15 0 4 8 67%
 
Fugue
Couperin, Louis
1:38 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 2 5 8 95%
Bass 25 1 7 8 82%
Oboe Treble 18 0 5 8 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 2 5 8 95%
Bass 25 1 7 8 82%
Oboe Treble 18 0 5 8 95%
 
Gay Paris (Traviata) - W.L. Hayden (1839- 1886)
Marieh
1:52 Est. Play
Time
68 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 11 4 6 100%
Treble 23 12 6 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitare
classique		 Treble 20 11 4 6 100%
Treble 23 12 6 6 89%
 
Fugue sur la Tierce du Grand Clavier
Couperin, Louis
1:48 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 2 5 8 94%
Bass 25 0 6 9 86%
Oboe Treble 14 0 4 8 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 2 5 8 94%
Bass 25 0 6 9 86%
Oboe Treble 14 0 4 8 92%
 
Full of wrath, his threat'ning breath
Humphrey Brailsford
1:34 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 21 0 6 9 100%
Voice Treble 19 0 7 9 85%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Basso
Continuo		 Bass 21 0 6 9 100%
Voice Treble 19 0 7 9 85%
 
Frédéric Chopin: Étude Op. 25 No. 12 in C minor "Ocean"
venson72150
2:02 Est. Play
Time
82 Measures
1,130Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
鋼琴 Treble 49 1 17 4 100%
Bass 45 2 16 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
鋼琴 Treble 49 1 17 4 100%
Bass 45 2 16 3 100%
 
Fragments
zincy
1:39 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 1 3 100%
Treble 25 4 8 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 0 1 3 100%
Treble 25 4 8 3 100%
 
Franz_Robert_-_6_Gesange_Op.6_No.3_-_Auf_dem_Meere
pental
1:37 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 63 6 6 96%
Bass 28 26 6 6 98%
Singstimme Voice Treble 13 0 4 6 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 24 63 6 6 96%
Bass 28 26 6 6 98%
Singstimme Voice Treble 13 0 4 6 84%
 
Fugue No 10 from Book 1 of the 48
Frank Martinez Jr
1:58 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 29 0 10 5 95%
Bass 28 0 10 3 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
Piano		 Treble 29 0 10 5 95%
Bass 28 0 10 3 91%
 
G Blues
Nieknaam
1:36 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Elektrische
gitaar		 Treble 30 12 11 6 100%
Treble 34 16 12 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Elektrische
gitaar		 Treble 30 12 11 6 100%
Treble 34 16 12 3 100%
 
Fugue No 2 from Book 1 of the 48
Frank Martinez Jr
1:56 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 50 12 7 80%
Treble 36 21 12 7 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 31 50 12 7 80%
Treble 36 21 12 7 87%
 
Fukashigi No Carte
Ahegao-chan
1:37 Est. Play
Time
74 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 19 3 7 53%
Bass 34 50 13 7 99%
Violin Treble 18 0 6 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 19 3 7 53%
Bass 34 50 13 7 99%
Violin Treble 18 0 6 7 99%
 
Franz_Robert_-_6_Gesnge_Op._6_No._4_-_Die_Liebe_hat_gelogen
pental
1:39 Est. Play
Time
59 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 17 15 3 6 96%
Bass 29 14 8 6 100%
Singstimme Voice Treble 16 0 6 4 67%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pianoforte Treble 17 15 3 6 96%
Bass 29 14 8 6 100%
Singstimme Voice Treble 16 0 6 4 67%