Play Along Piano

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Fantaisie

Couperin, Louis

2:26	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	0	5	8	100%
Violin II	12	0	3	8	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola	16	5	8	100%
Violin II	12	3	8	91%
Violin I	16	4	8	78%
Cello	14	3	7	35%
Double Bass	14	3	7	35%

Fantasia XII

Banchieri, Adriano

2:26	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 1	16	0	5	6	98%
Trumpet in C 2	15	0	5	6	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 1	16	5	6	98%
Trumpet in C 2	15	5	6	90%
Trombone	13	3	6	84%
Bass Trombone	16	6	6	70%

Farewell, my joy

Thomas Weelkes

3:10	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	0	4	7	97%
Soprano I	15	0	5	7	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	4	7	97%
Soprano I	15	5	7	96%
Alto	15	3	7	95%
Tenor	17	5	7	88%
Bass	13	1	6	70%

Fantasia VII

Banchieri, Adriano

2:19	Est. Play Time
58	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trombone	11	0	3	6	86%
Trumpet in C 2	12	0	3	6	86%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trombone	11	3	6	86%
Trumpet in C 2	12	3	6	86%
Trumpet in C 1	13	4	6	84%
Bass Trombone	12	2	6	79%

Father, reigning in thy glory

Carl Maria von Weber

2:45	Est. Play Time
83	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Accomp.	27	52	5	9	79%
	26	23	4	9	99%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Accomp.	27	52	5	9	79%
	26	23	4	9	99%
Bass	16	0	2	8	85%
Alto	12	0	1	8	81%
Soprano	14	0	2	8	81%
Tenor	13	0	2	8	81%

Fair Oriana seeming to wink at folly

Robert Jones

3:06	Est. Play Time
91	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	13	0	2	6	100%
Alto	13	0	1	6	96%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	13	2	6	100%
Alto	13	1	6	96%
Soprano 1	14	2	7	92%
Tenor 1	13	1	6	85%
Tenor 2	11	1	6	69%
Bass	11	2	6	67%

Exaudi, Domine

Giovanni Gabrieli

2:22	Est. Play Time
63	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	14	0	4	8	94%
Alto 2	15	0	4	8	89%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	14	4	8	94%
Alto 2	15	4	8	89%
Bass	13	2	8	87%
Soprano	10	3	8	87%
Tenor 2	10	1	8	87%
Alto 1	14	4	8	86%

Exsurge, quare obdormis Domine

Philippe de Monte

2:44	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	0	4	7	100%
Altus	14	0	4	7	98%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	13	4	7	100%
Altus	14	4	7	98%
Tenor	14	4	7	98%
Quintus	15	4	7	93%
Bassus	12	2	6	80%

Exurge, quare obdormis

Jacobus de Kerle

3:02	Est. Play Time
91	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	7	99%
Soprano	13	0	4	7	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	7	99%
Soprano	13	4	7	97%
Tenor	13	3	7	93%
Bass	15	4	7	91%

Et amando morrò (Giunto alla tomba - quarta, et ultima parte)

Luca Marenzio

2:32	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	12	0	2	6	100%
Soprano 2	13	0	3	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	12	2	6	100%
Soprano 2	13	3	6	100%
Tenor	13	3	6	100%
Bass	12	0	7	89%
Alto	13	2	6	87%