Play Along Piano

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Fauré, Requiem Op. 48: Pie Jesu

Mélisande

2:06	Est. Play Time
38	Measures
	1,121Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	18	8	6	92%
	18	18	7	5	91%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	19	18	8	6	92%
	18	18	7	5	91%
Soprano solo	12	0	4	4	87%
Cello I	15	5	3	5	68%
Viola I	11	2	1	5	68%
Viola II	14	5	3	5	67%
Cello II	16	3	2	5	66%
Contrabass	16	4	1	5	42%
B Clarinet	16	1	4	5	35%
Flute	10	0	3	5	30%
Harp	10	5	0	3	21%
	13	5	0	4	28%
Bassoon	12	8	0	5	24%

Everytime We Touch

Sebastian Węgliński

1:41	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	16	0	1	6	95%
Eufonio	18	0	2	5	84%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	16	1	6	95%
Eufonio	18	2	5	84%
Tromba in B♭	18	2	6	58%
	17	2	5	58%

Fantasia secunda

Banchieri, Adriano

1:45	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	11	0	2	4	87%
Trombone	14	0	4	4	77%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	11	2	4	87%
Trombone	14	4	4	77%
Trumpet in C 1	12	2	4	76%
Bass Trombone	11	1	4	61%

Everytime We Touch

Sebastian Węgliński

1:41	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	16	0	1	6	95%
Eufonio	18	0	2	5	84%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tuba	16	1	6	95%
Eufonio	18	2	5	84%
Tromba in B♭	18	2	6	58%
	17	2	5	58%

Farewell, false love

Michael East

1:37	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	0	3	6	82%
	10	0	2	6	93%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	3	6	82%
	10	2	6	93%
Tenor	12	1	6	100%
Soprano I	10	2	6	91%
Practice	11	2	6	87%
Bass	13	3	6	83%

Exsultate iusti a 10

Tiburtio Massaino

1:52	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	9	0	2	8	84%
	9	0	1	7	82%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	9	2	8	84%
	9	1	7	82%
	12	3	7	84%
	10	1	8	84%
	9	0	7	84%
	12	3	7	82%
	11	2	8	84%
	10	1	7	84%
	11	2	8	84%
	11	1	8	84%

Excalibur

Pathfinder Music Productions

1:44	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	10	3	4	77%
Violins 2	9	0	2	2	62%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	10	3	4	77%
Violins 2	9	0	2	2	62%
Contrabasses	3	1	0	2	58%
Timpani	1	0	0	1	38%
Violins 1	5	0	0	3	38%
F Horn 1 amp;amp; 3	5	0	0	3	31%
Harp	0	0	0	0	0%
	11	10	2	1	31%
Trombone 1	1	0	0	1	31%
Tuba	1	0	0	1	31%
Violas	1	0	0	1	31%
Voice	2	1	0	1	31%

Faemina peccatrix

Daniel Friderici

2:02	Est. Play Time
40	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1		11	0	1	6	100%
Soprano 2		12	0	2	6	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1		11	0	1	6	100%
Soprano 2		12	0	2	6	92%

Fantaisie

Couperin, Louis

1:51	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	1	7	7	98%
	12	9	2	7	100%
Oboe	11	0	2	7	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	29	1	7	7	98%
	12	9	2	7	100%
Oboe	11	0	2	7	92%

Factum est silentium

Richard Dering

1:40	Est. Play Time
50	Measures
	1,031Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	8	100%
Practice	14	3	2	8	99%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	8	0	1	8	100%
Practice	14	3	2	8	99%
	18	6	4	8	96%
Soprano II	11	0	2	8	98%
Soprano I	11	0	2	7	96%
Tenor I	14	0	3	7	94%
Tenor II	11	0	2	6	88%
Bass	12	0	1	7	86%