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Composition: Duet
Participation: 1%-49%
Participation: 80%-99%
Participation: 100%
Unique Durations: 1-3
Unique Notes: > 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Fauré: Au bord de l'eau
Mélisande
2:02 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 22 8 2 100%
Bass 35 50 11 3 100%
Voice Treble 16 0 5 4 94%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 27 22 8 2 100%
Bass 35 50 11 3 100%
Voice Treble 16 0 5 4 94%
 
Fado serenata, 5.º ano jurídico 1900/1901
adamoc
1:14 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 1 5 6 95%
Bass 26 31 7 1 97%
Voz Treble 14 0 5 5 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 1 5 6 95%
Bass 26 31 7 1 97%
Voz Treble 14 0 5 5 87%
 
Fauré, Gabriel - Cinq Mélodies, Op.58, No.1 - Mandoline
OpenScore LiederCorpus
1:50 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 43 14 5 90%
Bass 28 21 12 3 100%


















.		 Treble 15 0 6 8 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 43 14 5 90%
Bass 28 21 12 3 100%


















.		 Treble 15 0 6 8 92%
 
Faure Gabriel Cinq Melodies Op 58 No 2 En Sourdine
Vinckenbosch
2:56 Est. Play
Time
47 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 4 12 5 95%
Bass 38 3 14 3 100%


















.		 Treble 16 0 6 9 91%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 4 12 5 95%
Bass 38 3 14 3 100%


















.		 Treble 16 0 6 9 91%
 
Faure Gabriel Cinq Melodies Op 58 No 1 Mandoline
Vinckenbosch
1:50 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 43 14 5 92%
Bass 28 23 12 3 100%


















.		 Treble 15 0 6 8 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 43 14 5 92%
Bass 28 23 12 3 100%


















.		 Treble 15 0 6 8 92%
 
Etude in G minor No. 26
mooing
1:40 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 3 10 2 100%
Bass 25 26 7 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 3 10 2 100%
Bass 25 26 7 4 100%
 
Estudio capricho Piano Nº6
APrada
0:38 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 45 42 16 3 100%
Bass 33 30 13 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 45 42 16 3 100%
Bass 33 30 13 3 100%
 
Fado do Povo
Henrique Matos
0:31 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 4 1 3 100%
Bass 11 3 0 2 94%
Cavaquinho Treble 15 5 2 2 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 26 4 1 3 100%
Bass 11 3 0 2 94%
Cavaquinho Treble 15 5 2 2 100%
 
Eternal Swamp (MAPLESTORY)
Leegle
1:35 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Instrument
2		 Treble 23 23 4 2 100%
Instrument
3		 Bass 33 38 8 7 100%
Instrument
1		 Treble 18 10 2 3 70%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Instrument
2		 Treble 23 23 4 2 100%
Instrument
3		 Bass 33 38 8 7 100%
Instrument
1		 Treble 18 10 2 3 70%
 
The Evil Toreador Theme
2:18 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 3 6 100%
Treble 17 4 2 5 94%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 4 3 6 100%
Treble 17 4 2 5 94%
Bass 24 14 5 3 100%
Bass 16 7 3 3 49%
 
eskizas20191007alb
[email protected]
2:01 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 8 6 84%
Bass 23 0 6 1 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 10 8 6 84%
Bass 23 0 6 1 100%
Šiltas
sintezatorius		 Treble 8 3 1 2 74%
Bass 8 4 2 1 32%
 
Exercise In Sevenths For Two Pianos
ollertonk
0:42 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
2		 Treble 12 8 2 3 100%
Piano
1		 Treble 36 8 13 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano
2		 Treble 12 8 2 3 100%
Piano
1		 Treble 36 8 13 3 100%
Bass 29 7 10 3 100%
Piano
2		 Bass 12 7 2 3 100%
 
EVERY KNEE SHALL BOW (PART THREE) 20
Merle Lamprecht
2:53 Est. Play
Time
87 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 22 4 3 100%
Bass 22 12 2 3 100%
Voice Treble 21 0 3 3 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 22 4 3 100%
Bass 22 12 2 3 100%
Voice Treble 21 0 3 3 99%
 
Fantasies
Paula Andrea Anabalon Pereira
1:04 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 27 23 1 3 100%
Treble 16 17 0 5 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Viool Treble 27 23 1 3 100%
Treble 16 17 0 5 81%