Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Decora lux

Giovanni Maria Nanino

2:58	Est. Play Time
94	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	7	97%
Tenor 1	16	0	4	6	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	7	97%
Tenor 1	16	4	6	97%
Soprano	11	3	6	96%
Tenor 2	11	2	7	62%
Bass	11	0	6	57%

Dignare me

Carlo Gesualdo

1:20	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	13	0	3	5	95%
Bass	12	0	1	4	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	13	3	5	95%
Bass	12	1	4	90%
Tenor 2	11	1	5	88%
Alto	13	3	6	85%
Soprano	10	1	4	83%

D'Bäurin hat d'Katz verlor'n

Wolfgang Amadeus Mozart

1:54	Est. Play Time
153	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran	15	0	3	5	97%
Alt	14	0	4	5	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran	15	3	5	97%
Alt	14	4	5	94%
Tenor	12	2	5	91%
Bass	20	7	5	87%

Die Rose stand im Tau, Op. 65, No. 1

Robert Schumann

0:41	Est. Play Time
16	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass II	8	0	1	5	100%
Bass III	8	0	0	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass II	8	1	5	100%
Bass III	8	0	6	100%
Tenor I	11	3	6	100%
Tenor II	10	4	5	100%
Bass I	11	3	4	96%

Denn Er hat seinen Engeln befohlen

Felix Mendelssohn

2:24	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass I,II	18	0	5	5	92%
Tenor I,II	16	0	5	5	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass I,II	18	5	5	92%
Tenor I,II	16	5	5	90%
Alt I,II	13	4	5	86%
Sopran I,II	15	4	5	85%

Der Engel bringt wahren Bericht

Melchior Vulpius

1:43	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	0	3	7	100%
Cantus secundus	11	0	3	7	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	11	3	7	100%
Cantus secundus	11	3	7	95%
Cantus primus	12	3	7	91%
Tenor	10	3	7	91%
Bassus	14	4	7	84%

Deh dove senza me

Domenico Micheli

3:40	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	98%
Quinto	12	0	3	8	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	6	98%
Quinto	12	3	8	96%
Tenor	13	4	6	95%
Soprano	12	4	5	91%
Bass	12	3	7	87%

Das Wort ward Fleisch

Andreas Hammerschmidt

3:18	Est. Play Time
111	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus Continuus	20	0	5	7	100%
Tenor 1	12	0	3	6	94%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus Continuus	20	5	7	100%
Tenor 1	12	3	6	94%
Altus	11	3	6	89%
Tenor 2	12	3	6	89%
Bassus	14	3	6	86%
Cantus 1	11	3	6	79%
Cantus 2	11	3	5	74%

Dentro pur foco

Luca Marenzio

3:16	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	0	3	6	89%
Quinto	13	0	4	6	84%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto	12	3	6	89%
Quinto	13	4	6	84%
Basso	13	3	6	80%
Alto	12	4	6	78%
Sesto	14	3	5	74%
Tenore	13	2	6	62%

Despiteful thus unto myself, I languish

John Wilbye

3:34	Est. Play Time
106	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	0	3	6	86%
Alto I	15	0	5	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	3	6	86%
Alto I	15	5	6	92%
Soprano II	13	3	6	86%
Tenor	14	3	6	83%
Soprano I	12	3	6	82%

Definitley Not Duel of the Fates

jacktoid

1:43	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	14	0	2	8	89%
	12	0	2	8	84%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B♭ Trumpet	14	2	8	89%
	12	2	8	84%
	10	1	8	80%
Trombone	14	2	9	85%
	15	3	7	84%
	11	1	8	84%
Bass Trombone	12	1	7	84%

Die Ehre des Herrn ist ewig

Johann Heinrich Rolle

2:33	Est. Play Time
105	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	13	0	3	9	97%
Sopran	16	0	4	8	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	13	3	9	97%
Sopran	16	4	8	94%
Bass	13	2	8	92%
Tenor	16	4	7	90%

Deh dove senza me

Gasparo Pratoneri

2:22	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	6	100%
Canto	10	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	6	100%
Canto	10	2	8	97%
Quinto	12	3	7	97%
Tenore	12	3	6	94%
Basso	14	3	6	83%

Dear pity, how?

John Wilbye

2:02	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	0	3	6	94%
	9	0	1	6	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	15	3	6	94%
	9	1	6	95%
	13	3	6	98%
Tenor	11	1	6	100%
Soprano I	14	3	6	98%

Dies mei transierunt

Jan Tollius

8:50	Est. Play Time
134	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	17	0	5	7	93%
Tenor	14	0	4	7	90%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto 2	17	5	7	93%
Tenor	14	4	7	90%
Soprano	14	4	7	90%
Alto 1	17	5	7	88%
Bass	15	3	7	72%

Deus tuorum militum

Francisco Valls

1:12	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Acompto (Continuo)	10	0	3	5	100%
Alto	10	0	2	6	42%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Acompto (Continuo)	10	3	5	100%
Alto	10	2	6	42%
Tenor	14	4	6	42%
Tiple 2	13	3	6	39%
Tiple 1 (Soprano)	13	3	6	39%