Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Comptine D'un Autre Ete

cellista33

1:50	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	11	6	0	3	93%
	17	6	0	3	100%
View all 5 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	11	6	3	93%
	17	6	3	100%
Violoncello	9	0	3	100%
Violin	11	0	6	80%
Viola	8	0	7	69%

Cold winter's ice is fled and gone

Thomas Weelkes

1:34	Est. Play Time
47	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	16	0	5	6	79%
	10	0	2	6	100%
View all 7 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 1	16	5	6	79%
	10	2	6	100%
Practice	17	5	6	88%
	20	5	6	96%
Alto	12	3	6	89%
Soprano	13	3	6	85%
Bass	12	1	6	72%

Con la candida man

Constantijn Huygens

1:40	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	31	6	6	100%
	17	0	5	5	100%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	18	31	6	6	100%
	17	0	5	5	100%
Soprano	13	0	4	6	100%
Viola da gamba	17	0	5	5	100%

Come farò cuor mio

Claudio Monteverdi

0:56	Est. Play Time
16	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	11	2	5	100%
Mezzo	7	2	6	100%
Sopraan	11	2	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alt	11	2	5	100%
Mezzo	7	2	6	100%
Sopraan	11	2	6	100%

Consumando

Jacquet de Berchem

0:01	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	9	0	0	6	99%
Tenor 1	10	0	1	7	99%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cantus	9	0	6	99%
Tenor 1	10	1	7	99%
Tenor 3	10	2	6	99%
Bass	11	1	6	88%
Tenor 2	12	1	6	85%

Christus factus est

Johann Ernst Eberlin

1:47	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	3	7	100%
Bass	14	0	4	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	3	7	100%
Bass	14	4	7	100%
Tenor	11	3	7	100%
Soprano	12	3	6	98%

Come pretty wag

Charles Hubert Hastings Parry

1:46	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	20	4	6	99%
	19	24	3	6	98%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	20	4	6	99%
	19	24	3	6	98%
Bass	16	3	2	6	100%
Soprano	14	0	3	6	100%
Tenor	13	0	3	6	100%
Alto	14	0	3	6	96%

Come away, sweet love

Thomas Greaves

2:07	Est. Play Time
65	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	2	6	99%
	13	1	3	7	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	1	2	6	99%
	13	1	3	7	100%
Alto	10	1	0	7	100%
Soprano 1	13	1	3	7	100%
Tenor	13	1	2	6	100%
Practice	16	4	3	6	97%
Bass	11	1	1	7	97%

Con la fronte fiorita

Luca Marenzio

1:42	Est. Play Time
27	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	13	1	7	100%
Soprano 1	9	3	6	100%
Soprano 2	10	1	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	13	1	7	100%
Soprano 1	9	3	6	100%
Soprano 2	10	1	6	100%

Ciechi noi siamo

Benedetto Pallavicino

1:40	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	12	0	2	6	100%
Tenore	10	0	2	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	12	2	6	100%
Tenore	10	2	6	100%
Alto	11	3	6	98%
Basso	11	2	6	92%
Canto	9	2	6	88%

Confirma hoc, Deus

Gregor Aichinger

1:34	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	0	1	8	85%
Alto	11	0	0	6	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	17	1	8	85%
Alto	11	0	6	100%
Soprano	11	1	7	100%
Practice	15	1	7	94%
Tenor	11	1	8	89%
Bass	11	0	5	86%

Content ou non

Clément Morel

1:40	Est. Play Time
42	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	8	0	0	7	100%
Tenor 1	11	0	0	7	100%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Altus	8	7	100%
Tenor 1	11	7	100%
Superius	10	6	96%
Tenor 2	8	6	96%

Come Fenice

Giovanni Maria Nanino

0:01	Est. Play Time
23	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	8	0	5	100%
Soprano 2	13	3	6	100%
Tenor	11	1	5	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	8	0	5	100%
Soprano 2	13	3	6	100%
Tenor	11	1	5	100%

Come, blessed bird

Edward Johnson

2:05	Est. Play Time
74	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	16	0	5	6	89%
Soprano 1	12	0	3	6	84%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 2	16	5	6	89%
Soprano 1	12	3	6	84%
Tenor	12	3	6	84%
Bass	15	4	6	76%
Alto 2	14	4	6	69%
Alto 1	11	3	6	66%

Concerto de pastori

Giovanni Gastoldi

0:01	Est. Play Time
78	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	0	2	5	81%
	8	0	2	5	78%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	8	2	5	81%
	8	2	5	78%
Tenor	11	2	7	78%
	15	3	6	81%
Alto	10	1	6	79%
	12	1	6	78%
Bass	13	1	5	78%
	12	2	6	78%

Confitebor

Agostino Steffani

1:34	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	18	0	5	7	100%
Alto I	9	0	3	7	96%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	18	5	7	100%
Alto I	9	3	7	96%
Alto II	11	3	7	96%
Bass I	16	4	7	96%
Bass II	17	4	7	96%
Soprano I	10	3	8	96%
Soprano II	10	2	8	96%
Tenor I	16	4	8	96%
Tenor II	14	3	7	96%