Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Clorinda

Giovanni Croce

1:07	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto 1	7	0	6	100%
Canto 2	8	1	6	100%
Tenor	9	1	6	100%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Canto 1	7	0	6	100%
Canto 2	8	1	6	100%
Tenor	9	1	6	100%

Come, Heavy Sleep for Guitar Quartet, John Dowland

PreludeAndFugue

1:19	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I	11	0	2	6	100%
II	11	0	2	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I	11	2	6	100%
II	11	2	7	100%
III	11	2	7	100%
IV	10	1	6	100%

Come fra verd'erbette

Maddalena Casulana

1:28	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	7	100%
Soprano	14	0	3	7	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	7	100%
Soprano	14	3	7	100%
Tenor	14	4	6	98%
Bass	14	3	6	91%

Contre raison trop m'as voulu

Anonymous

1:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	0	1	7	100%
Tenor 2	10	0	1	8	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	10	1	7	100%
Tenor 2	10	1	8	100%
Tenor 1	11	1	8	97%
Soprano	7	0	8	94%

Christus natus est

Anonymous

1:00	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	0	5	7	100%
	9	0	1	6	83%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	16	5	7	100%
	9	1	6	83%
Soprano	8	1	2	97%
Bass	10	0	6	93%
Tenor	12	0	6	93%

Contre raison

Clément Janequin

1:22	Est. Play Time
38	Measures

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	9	6	100%
Tenor 2	9	7	100%
Tenor 1	7	6	97%

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	9	6	100%
Tenor 2	9	7	100%
Tenor 1	7	6	97%

Contentement combien soit

Thomas Crecquillon

1:24	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus	10	0	0	5	100%
Superius	10	0	0	6	98%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Altus	10	5	100%
Superius	10	6	98%
Tenor 1	9	5	93%
Tenor 2	8	5	86%

Coingié m'aves donné

Tielman Susato

1:22	Est. Play Time
41	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	1	7	100%
Soprano	10	0	0	7	98%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	1	7	100%
Soprano	10	0	7	98%
Tenor 1	11	0	7	98%
Tenor 2	11	0	7	98%

Content desir

Claudin de Sermisy

1:04	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	1	5	100%
Bass	9	0	0	5	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	1	5	100%
Bass	9	0	5	100%
Soprano	8	1	5	100%
Tenor	8	0	6	100%

Comme la rose

Joannes de Latre

1:18	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	0	6	100%
Bass	11	0	1	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	7	0	6	100%
Bass	11	1	6	100%
Soprano	7	0	6	100%
Tenor	6	0	6	100%

Cleare or Cloudie sweet as Aprill showring

John Dowland

1:15	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A	8	0	2	6	100%
B	11	3	2	6	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A	8	0	2	6	100%
B	11	3	2	6	100%
Lute	23	46	5	6	100%
S	10	0	2	6	100%
T1	9	0	1	6	100%
T2	9	0	1	5	50%

Come son vivo

Antonio Morsolino

1:14	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	1	6	100%
Soprano 2	7	1	6	100%
Soprano 1	6	0	6	95%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	9	1	6	100%
Soprano 2	7	1	6	100%
Soprano 1	6	0	6	95%

Coelos ascendit hodie, Op. 38, No. 2

Charles Villiers Stanford

1:28	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
Alto	9	0	3	8	89%
	9	0	2	8	89%
Soprano	13	0	2	8	89%
	11	0	2	8	89%
Bass	18	0	5	8	89%
	17	0	5	8	86%
Tenor	10	0	2	8	86%
	11	0	3	8	89%

Comme l'aymant

Lupus Hellinck

1:26	Est. Play Time
43	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2	8	0	0	6	100%
Altus	10	0	0	9	98%
View all 4 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Tenor 2	8	6	100%
Altus	10	9	98%
Superius	7	6	95%
Tenor 1	7	6	91%

Come ye heauie states of night

John Dowland

1:22	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A	10	0	3	6	100%
B	7	0	1	4	100%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
A	10	0	3	6	100%
B	7	0	1	4	100%
Lute	20	35	5	6	100%
S	7	0	1	6	100%
T	11	0	2	6	100%