Play Along Piano

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Coelos ascendit hodie, Op. 38, No. 2

Charles Villiers Stanford

1:28	Est. Play Time
44	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ (for rehearsal only)	16	31	4	8	100%
	21	27	7	8	100%
Alto	9	0	3	8	89%
	9	0	2	8	89%
Soprano	13	0	2	8	89%
	11	0	2	8	89%
Bass	18	0	5	8	89%
	17	0	5	8	86%
Tenor	10	0	2	8	86%
	11	0	3	8	89%

Christum wir sollen loben schon

B%C3%B6hm, Georg

1:26	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	17	0	4	7	100%
Trombone	14	0	4	7	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	17	4	7	100%
Trombone	14	4	7	97%
Bass Trombone	18	4	6	78%
Trumpet in C 1	8	1	6	58%

Concerto per Flautino | A.L. Vivaldi, RV. 443

Vivaldi073

1:27	Est. Play Time
90	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	0	3	5	100%
I	14	0	3	3	84%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	3	5	100%
I	14	3	3	84%
Viole	15	3	4	84%
Cembalo	0	0	0	0%
	16	2	4	82%
Violoncelli	16	2	4	82%
II	18	4	3	80%
Contrabassi	14	2	4	44%

Closer to Her Starts at 57

lehickle

1:27	Est. Play Time
175	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	5	4	74%
Bass	18	0	8	4	74%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	5	4	74%
Bass	18	8	4	74%
Soprano	20	9	4	74%
Tenor	20	5	4	74%
Voice	17	7	4	41%
	7	1	1	7%

Confused

Sam Magid

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
Melody	17	1	5	5	100%
Bass	16	0	6	5	95%
Comping	25	30	11	5	91%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

Contrapuntal étude v1.1

ndu

1:10	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	0	9	5	88%
	19	0	7	5	80%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	9	5	88%
	19	7	5	80%
Bassoon	17	5	5	89%
Oboe	21	6	5	74%
Bass Trombone	17	7	5	63%

Confused

Yachatz Music

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
Melody	17	1	5	5	100%
Bass	16	0	6	5	95%
Comping	25	30	11	5	91%

Concorso quasi una Invenzione

Daniel Labbé

1:09	Est. Play Time
35	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	1	7	4	100%
		20	0	6	4	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		20	1	7	4	100%
		20	0	6	4	94%