Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Contra Punctus I

Fabian Dydas

0:51	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	1	7	7	90%
		17	2	5	5	56%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	1	7	7	90%
		17	2	5	5	56%

The Clone Wars Outro Theme (5 cello parts)

Dylan.Lane

0:31	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello 1	18	0	7	8	100%
Cello 4	6	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello 1	18	7	8	100%
Cello 4	6	1	6	100%
Cello 2	7	3	8	62%
Cello 5	2	0	2	38%
Cello 3	17	0	2	15%

Commenticius

vonvarley

0:51	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	6	3	3	98%
	16	0	3	2	28%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	6	3	3	98%
	16	0	3	2	28%
Strings	21	22	2	5	100%
	10	0	2	4	25%
Flute	15	4	2	4	100%
Harp	17	6	2	3	50%
	16	6	1	3	80%
Alto Flute	10	3	2	3	70%
Violoncello	15	0	1	5	50%
Vibraphone	19	7	3	4	37%
Piccolo	11	0	1	5	30%

Clockwork (75 follower special)

Nathan Rakes

0:59	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	1	1	3	96%
Marimba	20	10	4	4	91%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	1	1	3	96%
Marimba	20	10	4	4	91%
	21	1	5	3	87%
	16	1	3	5	65%
	14	1	1	5	65%
Glockenspiel	19	2	4	6	91%
Violins	9	1	2	3	87%
	11	0	2	5	87%
Contrabasses	9	0	1	5	87%
Violas	7	0	1	3	87%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

Clarinet + Cycle of Love Piano Duet

Pat Long

0:47	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	0	4	75%
	0	0	0	0	0%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	0	4	75%
	0	0	0	0	0%
	20	12	0	4	75%
	18	13	0	2	50%
	18	10	1	2	78%
	34	24	0	1	38%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%

50. Christus, der uns selig macht. BWV 245.37. Joh. Passion. J.S. Bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	5	4	100%
Tenor/Bass	21	9	4	100%
Contrabass	17	7	4	50%

49. Christus, der uns selig macht. BWV 245.15. Joh. Passion. J.S. Bach.

SDG

0:50	Est. Play Time
17	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	4	100%
Tenor/Bass	22	7	4	100%
Contrabass	16	6	4	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	16	4	4	100%
Tenor/Bass	22	7	4	100%
Contrabass	16	6	4	50%

"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)

edward.maurath

0:42	Est. Play Time
28	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	15	0	4	3	100%
Harpsichord	28	28	10	8	84%
	15	0	4	3	71%
Harp	25	25	7	8	83%
	16	1	5	3	71%
Apollo	12	0	4	6	71%
Erato	14	0	3	8	71%

Climbing a sand dune

Bronwen Dekker

0:12	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	2	4	50%
		16	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	2	4	50%
		16	0	0	3	50%

composed on the spot

Eletor

0:53	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	16	7	3	78%
	13	5	2	5	56%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	16	7	3	78%
	13	5	2	5	56%
Electric Piano	18	7	5	5	59%
	17	6	2	4	66%

Circle of fifths - e minor - left hand exercise in six eight

Bronwen Dekker

0:12	Est. Play Time
8	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	2	4	50%
		16	0	0	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	0	2	4	50%
		16	0	0	3	50%