Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Christum wir sollen loben schon

B%C3%B6hm, Georg

1:26	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	17	0	4	7	100%
Trombone	14	0	4	7	97%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 2	17	4	7	100%
Trombone	14	4	7	97%
Bass Trombone	18	4	6	78%
Trumpet in C 1	8	1	6	58%

Contra Punctus I

Fabian Dydas

0:51	Est. Play Time
17	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	1	7	7	90%
		17	2	5	5	56%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		27	1	7	7	90%
		17	2	5	5	56%

The Clone Wars Outro Theme (5 cello parts)

Dylan.Lane

0:31	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello 1	18	0	7	8	100%
Cello 4	6	0	1	6	100%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Cello 1	18	7	8	100%
Cello 4	6	1	6	100%
Cello 2	7	3	8	62%
Cello 5	2	0	2	38%
Cello 3	17	0	2	15%

Compo

AcousticRenegade

1:04	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	9	0	4	97%
		16	22	0	3	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	9	0	4	97%
		16	22	0	3	71%

Congratulation Sad and Beautiful theme Shymhonie

Hugo Marrano

1:04	Est. Play Time
46	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	6	5	5	82%
	18	4	8	4	64%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	10	6	5	5	82%
	18	4	8	4	64%
Piccolo	10	6	5	5	100%
Violon	6	0	3	5	77%
	7	0	3	5	73%
Flûte	6	0	3	5	77%
	18	4	8	4	45%
Hautbois	11	0	5	5	73%
Alto	6	0	3	4	55%
Contrebasse	4	0	2	2	55%
Cor en Fa	6	0	3	4	55%
Violoncelle	8	0	4	2	55%
Basson	4	0	2	2	50%
Clarinette en Si♭	7	0	4	2	50%

Closer to Her Starts at 57

lehickle

1:27	Est. Play Time
175	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	0	5	4	74%
Bass	18	0	8	4	74%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	17	5	4	74%
Bass	18	8	4	74%
Soprano	20	9	4	74%
Tenor	20	5	4	74%
Voice	17	7	4	41%
	7	1	1	7%

Compo

AcousticRenegade

1:04	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	9	0	4	97%
		16	22	0	3	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	9	0	4	97%
		16	22	0	3	71%

Confused

Sam Magid

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
Melody	17	1	5	5	100%
Bass	16	0	6	5	95%
Comping	25	30	11	5	91%

Commenticius

vonvarley

0:51	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	6	3	3	98%
	16	0	3	2	28%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	24	6	3	3	98%
	16	0	3	2	28%
Strings	21	22	2	5	100%
	10	0	2	4	25%
Flute	15	4	2	4	100%
Harp	17	6	2	3	50%
	16	6	1	3	80%
Alto Flute	10	3	2	3	70%
Violoncello	15	0	1	5	50%
Vibraphone	19	7	3	4	37%
Piccolo	11	0	1	5	30%

Cnoc: DQesque Continent

VTPHOENIX3

1:22	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, CH #3	19	21	0	5	62%
Piano, CH #8	8	0	0	2	19%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, CH #3	19	21	0	5	62%
Piano, CH #8	8	0	0	2	19%
Viola, CH #1	9	7	0	2	97%
Violoncello, CH #2	4	0	0	2	97%
Violoncellos, CH #5	15	0	0	6	80%
Trombone, CH #6	16	2	1	6	43%
Celesta, CH #4	10	0	0	4	37%
Tenor Recorder, CH #9	16	0	0	9	29%
Soprano Saxophone, CH #12	15	0	4	5	16%
Viola, CH #11	19	6	0	5	15%
Violin, CH #7	8	0	0	6	11%
B♭ Cornet, CH #13	2	0	1	1	3%

Clockwork (75 follower special)

Nathan Rakes

0:59	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	1	1	3	96%
Marimba	20	10	4	4	91%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncellos	12	1	1	3	96%
Marimba	20	10	4	4	91%
	21	1	5	3	87%
	16	1	3	5	65%
	14	1	1	5	65%
Glockenspiel	19	2	4	6	91%
Violins	9	1	2	3	87%
	11	0	2	5	87%
Contrabasses	9	0	1	5	87%
Violas	7	0	1	3	87%

42. Christum wir sollen loben schon. BWV 121.6. Johann Sebastian Bach.

SDG

0:51	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	0	5	6	100%
Tenor/Bass	24	0	6	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	15	5	6	100%
Tenor/Bass	24	6	6	100%
Contrabass	17	4	5	46%
Alto	3	0	2	6%

43. Christ, unser Herr, zum Jordan kam. BWV 280. Johann Sebastian Bach.

SDG

1:03	Est. Play Time
16	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	6	3	100%
Contrabass	16	3	2	50%

Compose No 30 Complete

Jeff Lam

1:06	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	25	0	7	69%
	16	31	0	5	58%
View all 4 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	21	25	7	69%
	16	31	5	58%
Acoustic Guitar	21	17	6	87%
Bass Guitar	8	0	7	67%

Contrapuntal étude v1.1

ndu

1:10	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	0	9	5	88%
	19	0	7	5	80%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	29	9	5	88%
	19	7	5	80%
Bassoon	17	5	5	89%
Oboe	21	6	5	74%
Bass Trombone	17	7	5	63%

Confused

Yachatz Music

1:07	Est. Play Time
45	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Rhythm Piano	4	1	1	1	2%
	19	20	9	4	52%
Melody	17	1	5	5	100%
Bass	16	0	6	5	95%
Comping	25	30	11	5	91%

Clarinet + Cycle of Love Piano Duet

Pat Long

0:47	Est. Play Time
24	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	0	4	75%
	0	0	0	0	0%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	14	0	4	75%
	0	0	0	0	0%
	20	12	0	4	75%
	18	13	0	2	50%
	18	10	1	2	78%
	34	24	0	1	38%

45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.

SDG

0:56	Est. Play Time
19	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	4	100%
Tenor/Bass	22	7	3	100%
Contrabass	16	4	2	53%

48. Christus, der uns selig macht. BWV 283. J.S. bach.

SDG

0:49	Est. Play Time
17	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	0	4	4	100%
Tenor/Bass	25	0	8	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	17	4	4	100%
Tenor/Bass	25	8	6	100%
Contrabass	20	6	4	50%
Alto	2	0	1	6%