Active Filters:
Clef: BassBass
Participation: 0%
Participation: 50%-79%
Play Time: < 1:00
Unique Durations: 1-3
Unique Accidentals: 3-4
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Chromatic Invention (2)
Bartók forever
0:01 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Posaune Bass 8 0 4 3 94%
Trompete
in
B		 Treble 8 0 3 2 91%
Piccoloflöte Treble 10 0 4 1 64%
Tuba Bass 10 0 4 1 55%
 
Civilization V - Smoky Skies (unfinished)
Korbut1982
0:28 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Челеста Treble 5 0 5 2 100%
Bass 5 0 4 1 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Челеста Treble 5 0 5 2 100%
Bass 5 0 4 1 100%
Harp Treble 2 0 1 3 33%
Bass 9 0 7 3 100%
Contrabass Bass 3 2 3 1 100%
Violin
2		 Treble 1 0 1 1 100%
Violoncello Bass 5 0 4 2 100%
Глокеншпиль Treble 13 0 7 4 90%
Bassoon
1		 Bass 5 1 4 2 75%
Viola 4 0 3 2 67%
Бас-кларнет Treble 2 0 1 3 67%
B♭
Clarinet
1		 Treble 3 0 2 2 50%
 
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.
SDG
0:56 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
33. Christ, der du bist der helle Tag. BWV 273. Johann Sebastian Bach.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
 
"Col tuo piede brilla amor" from "Il Pastor Fido," HWV 8 (3rd version)
edward.maurath
0:42 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 15 0 4 3 100%
Harpsichord Treble 28 28 10 8 84%
Bass 15 0 4 3 71%
Harp Treble 25 25 7 8 83%
Bass 16 1 5 3 71%
Apollo 12 0 4 6 71%
Erato 14 0 3 8 71%
 
Concert Orchestra Project #1 -- Incomplete
Nathaniel Fernando
0:50 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horns
in
F		 Treble 11 0 2 3 56%
Treble 1 0 0 1 4%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Horns
in
F		 Treble 11 0 2 3 56%
Treble 1 0 0 1 4%
Bassoons Bass 11 0 3 3 56%
Clarinets
in
B♭		 Treble 10 0 2 3 56%
Contrabasses Bass 12 0 3 2 56%
Flutes Treble 10 0 2 3 56%
Oboes Treble 10 0 3 3 56%
Trumpets
in
B♭		 Treble 11 0 2 3 56%
Violas 10 0 3 2 56%
Violins
I		 Treble 11 0 3 2 56%
Violins
II		 Treble 10 0 2 2 56%
Violoncellos Bass 11 0 3 2 56%
Timpani Bass 1 0 0 1 4%