Active Filters:
Clef: BassBass
Measures: < 20
Participation: 50%-79%
Participation: 80%-99%
Unique Durations: 1-3
Unique Durations: 6-7
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
35. Christe, du Beistand deiner Kreuzgemeinde. BWV 275. Johann Sebastian Bach.
SDG
0:51 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 3 100%
Tenor/Bass Bass 21 0 6 5 100%
Contrabass Bass 11 0 3 3 50%
 
Codladh An tSionnaigh (The Fox's Sleep)
robton
0:56 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 8 0 5 100%
Bass 18 11 1 6 87%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 8 0 5 100%
Bass 18 11 1 6 87%
 
Composition
Dragwill
0:38 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 4 0 0 3 95%
Bass 8 1 0 2 95%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 4 0 0 3 95%
Bass 8 1 0 2 95%
Violon Treble 9 0 0 5 100%
Violoncelle Bass 4 0 0 3 100%
Trombone Bass 9 0 0 7 53%
 
34. Christe, der du bist Tag und Licht. BWV 274. Johann Sebastian Bach.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 10 0 2 4 100%
Tenor/Bass Bass 17 0 3 4 100%
Contrabass Bass 11 0 2 3 50%
 
45. Christ, unser Herr, zum Jordan kam. BWV 176.6. Johann Sebastian Bach.
SDG
0:56 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 22 0 7 3 100%
Contrabass Bass 16 0 4 2 53%
 
51. Christus ist erstanden, hat überwunden. BWV 284. J.S. Bach, Michael Weisse.
SDG
0:44 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 4 4 100%
Tenor/Bass Bass 19 0 5 5 100%
Contrabass Bass 14 0 4 3 50%
Alto Treble 2 0 1 1 13%
Bass Bass 2 0 1 1 7%
 
The City at Work
emeraldimp
0:26 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone Bass 6 0 0 3 100%
Violas 5 0 0 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Trombone Bass 6 0 0 3 100%
Violas 5 0 0 3 100%
Violoncellos Bass 6 0 0 3 100%
Flute Treble 10 0 0 5 93%
Piccolo Treble 9 0 0 4 93%
Violins
1		 Treble 9 0 0 5 93%
Contrabasses Bass 3 0 0 2 86%
Violins
2		 Treble 9 0 0 5 79%
B
Trumpet		 Treble 10 0 3 4 43%
 
37. Christ ist erstanden (Alleluja). BWV 66.6
SDG
0:28 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 3 3 100%
Contrabass Bass 13 0 2 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 3 100%
Tenor/Bass Bass 16 0 3 3 100%
Contrabass Bass 13 0 2 3 50%
 
Ciaran's slip jig & much more on "lecrocodiledunil.com" at "irlandises"
dominique gauquelin
1:08 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 11 0 0 6 100%
Bass 14 20 0 3 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpe Treble 11 0 0 6 100%
Bass 14 20 0 3 97%
 
44. Christ, unser Herr, zum Jordan kam. BWV 7.7. Johann Sebastian Bach.
SDG
1:03 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 3 3 100%
Tenor/Bass Bass 21 0 5 3 100%
Contrabass Bass 13 0 2 2 53%
 
33. Christ, der du bist der helle Tag. BWV 273. Johann Sebastian Bach.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 18 0 3 4 100%
Contrabass Bass 13 0 3 3 50%
 
39. Christ lag in Todesbanden. BWV 278.
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 17 0 5 6 100%
Tenor/Bass Bass 22 0 6 6 100%
Contrabass Bass 15 0 5 6 50%
 
40. Christ lag in Todesbanden. BWV 158.4
SDG
1:01 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 0 5 4 100%
Tenor/Bass Bass 20 0 6 7 100%
Contrabass Bass 13 0 4 7 51%
 
Composition Idea 1
im.jon
0:14 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 14 6 1 1 100%
Treble 0 0 0 0 0%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Bass 14 6 1 1 100%
Treble 0 0 0 0 0%
Violoncello Bass 17 0 1 3 80%
Violin Treble 12 1 0 3 40%
 
Coconut Shuffle
Dogman15
0:31 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 94%
Bass 5 2 0 3 50%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 3 94%
Bass 5 2 0 3 50%
Steel
Drums		 Treble 10 17 1 3 100%
Bass 11 1 2 3 100%
5-str.
Electric
Bass		 Bass 11 0 1 2 100%
Clavinet Bass 12 4 2 3 100%
Marimba Treble 10 2 2 3 100%
Flute Treble 8 4 0 3 94%
 
Coming Soon to Theatres Near You
Brendan Callies
0:21 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Tuba		 Bass 4 0 0 3 100%
Euphonium Treble 6 0 1 3 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Tuba		 Bass 4 0 0 3 100%
Euphonium Treble 6 0 1 3 100%
Timpani
(G
opt.)		 Bass 3 1 0 4 100%
1st
Cornet		 Treble 6 0 1 4 86%
1st
Horn		 Treble 5 0 0 4 86%
1st
Trombone		 Treble 6 0 2 4 86%
2nd
Cornet		 Treble 6 0 1 3 86%
2nd
Horn		 Treble 7 0 0 4 86%
2nd
Trombone		 Treble 7 0 1 4 86%
3rd
Cornet		 Treble 4 0 1 3 86%
Bass
Trombone		 Bass 4 0 0 3 86%
Soprano
Cornet		 Treble 7 0 2 4 86%
 
Climbing a sand dune
Bronwen Dekker
0:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
 
Circle of fifths - e minor - left hand exercise in six eight
Bronwen Dekker
0:12 Est. Play
Time
8 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 0 2 4 50%
Bass 16 0 0 3 50%