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Composition: Ensemble
Participation: 0%
Participation: 1%-49%
Participation: 100%
Unique Notes: 16 - 20
Unique Notes: > 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Berliiner Luft Marsch
peter scott71
2:31 Est. Play
Time
92 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 26 0 9 5 99%
Treble 25 0 6 6 100%
Flute Treble 22 0 6 6 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B♭
Clarinet		 Treble 26 0 9 5 99%
Treble 25 0 6 6 100%
Flute Treble 22 0 6 6 99%
 
Beatam me dicent II
Francisco Valls
2:22 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P13 Bass 17 0 5 6 100%
P3 Treble 11 0 3 6 86%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P13 Bass 17 0 5 6 100%
P3 Treble 11 0 3 6 86%
P2 Treble 15 0 5 6 83%
P4 Treble 18 0 5 7 83%
P1 Treble 12 0 3 4 80%
P5 Treble 12 0 3 7 71%
P7 Treble 10 0 3 7 71%
P6 Treble 13 0 2 7 69%
P8 Bass 16 0 3 8 66%
P11 Treble 12 0 4 7 60%
P12 Bass 14 0 1 8 60%
P10 Treble 12 0 3 7 57%
P9 Treble 14 0 4 8 57%
 
BADINERIE
FarrierPete
1:21 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 4 100%
Bass 22 0 5 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 62 7 4 100%
Bass 22 0 5 4 100%
Contrabasses Bass 22 0 6 4 100%
Flute Treble 18 0 5 6 100%
Violas 16 0 3 4 100%
Violins
1		 Treble 18 0 4 6 100%
Violins
2		 Treble 15 0 5 5 100%
Violoncellos Bass 22 0 5 4 100%
 
Benedicta et venerabilis
John David Eaton
1:04 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 16 0 3 4 100%
Bass 14 0 1 4 97%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 16 0 3 4 100%
Bass 14 0 1 4 97%
Soprano Treble 11 0 1 4 100%
Alto Treble 10 0 2 4 95%
Tenor Treble 9 0 1 4 95%
Bass Bass 11 0 0 4 92%
 
Battle Tower Theme - For Melodica Choir
sodiggity
0:48 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Melodica
3		 Treble 18 0 3 7 100%
Melodica
4		 Treble 18 0 3 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Melodica
3		 Treble 18 0 3 7 100%
Melodica
4		 Treble 18 0 3 7 100%
Melodica
1		 Treble 16 0 0 6 92%
Melodica
2		 Treble 15 0 1 6 88%
 
Believe Me
Bevellon
1:54 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 3 5 100%
Treble 11 0 0 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 17 0 3 5 100%
Treble 11 0 0 6 100%
Treble 13 1 2 6 96%
Viola 16 2 2 6 100%
Violoncello Bass 14 0 1 4 100%
 
Benedetta la mano
Tiburtio Massaino
4:12 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 16 0 5 7 100%
Tenore Treble 14 0 4 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto Treble 16 0 5 7 100%
Tenore Treble 14 0 4 6 100%
Canto Treble 13 0 4 7 92%
Basso Treble 12 0 2 6 86%
 
Beatus vir
Agostino Steffani
2:26 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 16 0 4 8 100%
Tenor
I		 Treble 13 0 1 7 94%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
B.c. Bass 16 0 4 8 100%
Tenor
I		 Treble 13 0 1 7 94%
Alto
I		 7 0 2 7 91%
Bass
I		 Bass 15 0 3 7 91%
Soprano
I		 12 0 3 8 91%
Alto
II		 9 0 2 7 89%
Bass
II		 Bass 14 0 2 7 89%
Soprano
II		 11 0 3 7 89%
Tenor
II		 12 0 2 7 89%
 
Beata quae credidisti
Francisco Valls
2:52 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P13 Bass 16 0 4 7 100%
P4 Treble 15 0 3 7 88%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P13 Bass 16 0 4 7 100%
P4 Treble 15 0 3 7 88%
P1 Treble 14 0 3 6 86%
P3 Treble 12 0 3 6 86%
P2 Treble 14 0 4 7 81%
P11 Treble 14 0 3 6 60%
P6 Treble 11 0 3 6 57%
P7 Treble 17 0 5 6 57%
P9 Treble 12 0 3 6 57%
P10 Treble 13 0 4 6 55%
P12 Bass 17 0 4 7 55%
P8 Bass 19 0 4 6 55%
P5 Treble 11 0 3 6 52%
 
Beauty and the Beast Medley
ryleongaku
5:42 Est. Play
Time
145 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 25 0 8 6 99%
Violin Treble 30 0 11 7 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 25 0 8 6 99%
Violin Treble 30 0 11 7 97%
Treble 36 0 16 7 95%
Viola 23 0 8 8 91%
 
Beata Dei genitrix Maria
Francisco Valls
0:01 Est. Play
Time
83 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 17 0 5 6 100%
Tenor Treble 14 0 4 6 81%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Continuo Bass 17 0 5 6 100%
Tenor Treble 14 0 4 6 81%
Treble 12 0 4 6 58%
Soprano Treble 14 0 5 6 80%
Treble 11 0 3 6 60%
Alto Treble 10 0 2 6 55%
Bass Bass 15 0 3 6 52%
 
Benedicta tu in mulieribus II
Francisco Valls
1:50 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Aco.to
(Continuo)		 Bass 17 0 5 8 100%
P3 Treble 10 0 1 6 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Aco.to
(Continuo)		 Bass 17 0 5 8 100%
P3 Treble 10 0 1 6 67%
Violin
I		 Treble 18 0 3 5 63%
Violin
II		 Treble 13 0 3 7 63%
P2 Treble 8 0 2 6 60%
P1 Treble 9 0 3 6 57%
P4 Treble 14 0 4 6 57%
 
Benedicta es virgo Maria
Luigi Ferdinando Casamorata
1:18 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Reh.
Kbd.		 Treble 16 30 4 9 100%
Bass 16 20 5 9 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Reh.
Kbd.		 Treble 16 30 4 9 100%
Bass 16 20 5 9 98%
Alto Treble 11 0 3 8 97%
Bass Bass 13 0 4 8 97%
Tenor Treble 10 0 2 9 97%
Soprano Treble 13 0 2 9 95%