Active Filters:
Measures: 20 - 35
Participation: 0%
Participation: 1%-49%
Participation: 50%-79%
Participation: 100%
Play Time: 2:10 - 3:20
Clear All Filters
AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Bach Violin Sonata #2 in Am: Andante (BWV1003).
TavyMusic
2:36 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 26 20 8 10 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin Treble 26 20 8 10 100%
 
Bach - Arioso from Cantata BWV 156
Hyeon Kim
3:19 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 68 6 2 100%
Bass 15 0 3 4 100%
Flute Treble 18 0 5 9 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 23 68 6 2 100%
Bass 15 0 3 4 100%
Flute Treble 18 0 5 9 93%
 
Bach, J. S. - The Bitter Time of Suffering Begins again, for Flute and Cello
twoflutes
2:12 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 14 0 2 6 100%
Violoncello Bass 19 0 6 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 14 0 2 6 100%
Violoncello Bass 19 0 6 5 100%
 
Bach Flute Sonata in E minor Adagio ma non tanto
ChrisChui
2:42 Est. Play
Time
31 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 37 7 5 100%
Bass 26 0 9 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 37 7 5 100%
Bass 26 0 9 4 100%
 
Baciai
Lodovico Bellanda
2:11 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 13 0 3 4 100%
Treble 0 0 0 0 0%
Tenor Treble 9 0 2 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
BC Bass 13 0 3 4 100%
Treble 0 0 0 0 0%
Tenor Treble 9 0 2 7 100%
 
Ave Maris Stella
Johann Stadlmayr
2:34 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 6 94%
Alto Treble 11 0 2 5 76%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor Treble 12 0 3 6 94%
Alto Treble 11 0 2 5 76%
Soprano Treble 12 0 3 5 76%
Baritone Bass 11 1 2 3 65%
 
The art of learning counterpoint - Part 2 - Canon (corrected)
dmanzana
3:15 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 23 7 8 6 100%
Bass 26 4 8 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 23 7 8 6 100%
Bass 26 4 8 6 98%
 
Asperges Me (a 2)
Claudio Casciolini
2:28 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 2 6 99%
Bass 12 0 1 7 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 13 0 2 6 99%
Bass 12 0 1 7 98%
Alto Treble 9 0 2 6 98%
Soprano Treble 9 0 0 6 98%
 
Bach for Solo Flute (XXI) - Allemande from Suite No. 3 for Cello (BWV 1009)
twoflutes
3:11 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 25 0 7 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flöte Treble 25 0 7 5 100%
 
Autumn leaves
xavierdaniel85
2:10 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 13 0 3 4 100%
Bass 23 0 8 3 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Electric
Bass		 Bass 13 0 3 4 100%
Bass 23 0 8 3 98%