Play Along Piano

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Bach -- Missa in F, BWV 233 - 5. Quoniam

Jwagner

4:41	Est. Play Time
104	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	10	3	100%
Violin	31	12	5	93%
Alto	20	8	7	67%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello	27	10	3	100%
Violin	31	12	5	93%
Alto	20	8	7	67%

Ashitaka and San - Princess Mononoke

camillequinto1

4:21	Est. Play Time
85	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	49	5	6	62%
	26	12	6	5	88%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	27	49	5	6	62%
	26	12	6	5	88%
Violoncelle	23	0	4	6	78%
Alto	20	1	3	6	76%
Flûte	21	0	3	6	76%
Violon	24	4	3	6	76%

Ave maris stella

Jacobus Vaet

4:40	Est. Play Time
125	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	9	0	0	2	5%
	15	0	5	7	92%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part	9	0	0	2	5%
	15	0	5	7	92%
	12	1	2	7	49%
	12	0	2	7	60%
	14	0	3	6	62%
	8	0	0	5	30%
	11	0	1	6	64%

Ave Regina a 12

Giovanni Bassano

5:34	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto II. chori C2	10	0	2	7	71%
Basso II. chori C4	9	0	0	5	71%
View all 12 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto II. chori C2	10	2	7	71%
Basso II. chori C4	9	0	5	71%
Basso III. chori F3	11	0	5	71%
Canto II. chori G2	9	1	6	70%
Alto III. chori C3	13	2	6	69%
Quintus III. chori C2	9	1	5	69%
Canto I. chori G2	9	1	6	68%
Tenore II. chori C3	8	0	6	68%
Tenore I. chori C2	10	2	7	66%
Tenore III. chori C3	11	0	6	66%
Basso I. chori C3	10	0	4	65%
Alto I. chori C1	11	1	7	62%

Ave Maria a 8

Alonso Lobo

4:52	Est. Play Time
73	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 2	12	0	2	5	89%
Alto 2	12	0	3	6	86%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 2	12	2	5	89%
Alto 2	12	3	6	86%
Tenor 1	10	1	5	86%
Soprano 1	12	3	6	84%
Soprano 3	11	2	6	79%
Tenor 2	10	2	5	78%
Alto 1	11	2	6	77%
Soprano 2	9	1	5	75%

Attendite popule meus legem, SWV 270

Heinrich Schütz

6:56	Est. Play Time
104	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	21	0	5	7	100%
Alto Sackbut	17	0	4	7	79%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Basso Continuo	21	0	5	7	100%
Alto Sackbut	17	0	4	7	79%
Bassus solo	17	0	4	8	64%
Tenor Sackbut	15	0	4	7	55%
	17	0	4	7	57%
Bass Sackbut	15	1	2	7	56%

Ave Rosa sine spinis

Thomas Tallis

10:14	Est. Play Time
127	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	14	0	4	7	77%
Contratenor	15	0	3	7	74%
View all 5 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassus	14	0	4	7	77%
Contratenor	15	0	3	7	74%
Tenor	14	0	3	7	72%
Triplex	17	0	4	7	66%
Medius	16	1	4	7	65%

As Vesta was from Latmos Hill Descending

Thomas Weelkes

3:50	Est. Play Time
116	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopr. I	15	0	3	6	98%
Alto	15	0	3	6	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopr. I	15	3	6	98%
Alto	15	3	6	97%
Sopr. II	15	4	6	97%
Tenor I	13	2	6	97%
Tenor II	15	3	7	76%
Bass	11	0	6	70%

Awake up my glory, awake lute and harp

Thomas Clark

3:21	Est. Play Time
121	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	0	2	8	100%
Alto	16	0	2	8	87%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	16	2	8	100%
Alto	16	2	8	87%
Soprano	13	1	7	58%
Tenor	15	3	7	56%
Bass	12	2	8	55%

Audi, benigne Conditor

Giovanni Maria Nanino

3:38	Est. Play Time
109	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	4	7	94%
Tenor	12	0	3	7	94%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	4	7	94%
Tenor	12	3	7	94%
Soprano	13	3	7	82%
Bass	12	2	6	57%