Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Almighty God, who through thy only begotten Son

Thomas Clark

0:01	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	17	0	2	6	100%
Soprano	13	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	17	2	6	100%
Soprano	13	2	8	97%
Alto	8	1	8	92%
Bass	12	1	8	91%
Tenor	11	1	8	88%

Anchor ch'io possa dire

Domenico Micheli

5:04	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	0	3	7	91%
Tenor 1	12	0	2	6	89%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	3	7	91%
Tenor 1	12	2	6	89%
Bass 2	11	3	6	84%
Soprano 1	14	4	7	83%
Soprano 2	13	3	8	83%
Tenor 2	13	3	7	83%
Alto 1	13	3	7	79%
Alto 2	12	3	6	75%

Anon. XIV Century - Cum altre ucele

Jose Oscar Marques

3:11	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Brightness Synthesizer	12	0	3	8	92%
	8	0	0	7	98%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Brightness Synthesizer	12	3	8	92%
	8	0	7	98%
Effect Synthesizer	12	3	8	92%
	8	0	7	98%
Viola da gamba	8	0	7	98%
Treble Viol	12	3	8	92%

Andante for Violin, Cello and Piano 1 of 3

Heuser, Ernst

1:46	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	53	9	8	92%
	31	23	12	7	90%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	53	9	8	92%
	31	23	12	7	90%
Violoncello	23	1	7	8	94%
Violin	29	0	8	8	90%

Aminta poi ch'a Filli

Luzzasco Luzzaschi

0:01	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	0	2	8	100%
Bass	11	0	1	8	96%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	12	2	8	100%
Bass	11	1	8	96%
Soprano	8	1	6	92%
Tenor	11	2	7	92%
Quinto	11	2	6	80%

Anchor ch'in alto mar di scogli pieno

Jan Tollius

2:33	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	8	100%
Soprano 1	10	0	2	8	95%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	8	100%
Soprano 1	10	2	8	95%
Soprano 3	13	4	9	92%
Soprano 2	12	3	8	90%
Bass	12	2	8	87%
Tenor	11	1	8	87%

Almighty God, unto whom

Joseph Key

1:48	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
Soprano	9	0	1	8	86%
Alto	6	0	0	8	76%

Almighty God, who hast given

Thomas Clark

1:58	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	0	1	6	98%
Bassoon	18	0	1	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	1	6	98%
Bassoon	18	1	5	97%
Bass	12	1	6	94%
Tenor	7	0	8	89%
Alto	8	1	6	88%

Amor, io fallo

Giaches de Wert

2:48	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2	15	0	5	7	99%
Alto	14	0	4	8	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2	15	5	7	99%
Alto	14	4	8	95%
Tenor 1	13	3	7	94%
Soprano	13	4	7	90%
Bass	14	3	6	87%

Angelus ad pastores ait

Michael Praetorius

5:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus C3 2. Chor	13	0	4	8	94%
Cantus C1 2. Chor	12	0	3	6	90%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus C3 2. Chor	13	4	8	94%
Cantus C1 2. Chor	12	3	6	90%
Cantus C1 1. Chor	14	4	7	90%
Cantus 3 C1 1. Chor	11	3	6	88%
Tenor C4 2. Chor	14	3	8	87%
Bassus F4 1. Chor	14	3	6	86%
Tenor C4 1. Chor	12	3	7	86%
Bassus F4 2. Chor	14	2	6	82%

Alma Redemptoris Mater

Francesco Cavalli

10:32	Est. Play Time
226	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	0	4	6	100%
Soprano II	17	0	4	9	64%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	4	6	100%
Soprano II	17	4	9	64%
Soprano I	16	4	9	58%
Basso	16	5	9	50%
Tenor	15	4	9	50%
Alto	13	3	9	49%

Are the white hours for ever fled

John Wall Callcott

5:42	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	34	6	8	98%
	16	1	4	6	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	34	6	8	98%
	16	1	4	6	89%
Tenor	15	0	5	8	94%
	15	0	5	8	99%
Counter Tenor	14	0	3	8	98%
Bass	14	1	2	8	94%

Anima mea liquefacta est

Leonel Power

0:01	Est. Play Time
84	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	2	6	100%
Cantus	12	2	8	95%
Contratenor	11	1	6	81%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	2	6	100%
Cantus	12	2	8	95%
Contratenor	11	1	6	81%

Anthology of 16-19th Century Italian Organ Music 1 of 5

Scarpa, Jolando

2:22	Est. Play Time
70	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 1	13	0	2	7	93%
Trumpet in C 2	10	0	1	8	93%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Trumpet in C 1	13	2	7	93%
Trumpet in C 2	10	1	8	93%
Trombone	15	3	7	90%
Bass Trombone	17	1	8	87%