Play Along Piano

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Antonio Cesti - Intorno all'idol mio

Mélisande

3:11	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	4	71%
	16	2	2	5	99%
Voix	12	0	3	8	92%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	21	16	5	4	71%
	16	2	2	5	99%
Voix	12	0	3	8	92%

Anna Amalia, Trio arr. for Flute, Violin, Cello

twoflutes

2:19	Est. Play Time
69	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	22	7	9	99%
Violoncello	23	8	6	94%
Flöte	24	8	9	88%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violine	22	7	9	99%
Violoncello	23	8	6	94%
Flöte	24	8	9	88%

Anyone

Andrew Weaver

3:41	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	45	2	8	100%
	18	12	1	8	98%
Flute	13	0	0	9	93%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	26	45	2	8	100%
	18	12	1	8	98%
Flute	13	0	0	9	93%

Arie Dignare, o Domine-largo-GF haendel

Begob

2:04	Est. Play Time
18	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	40	7	5	100%
	14	0	3	2	95%
Flûte	14	0	6	8	89%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	23	40	7	5	100%
	14	0	3	2	95%
Flûte	14	0	6	8	89%

Almighty God, who through thy only begotten Son

Thomas Clark

0:01	Est. Play Time
66	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	17	0	2	6	100%
Soprano	13	0	2	8	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	17	2	6	100%
Soprano	13	2	8	97%
Alto	8	1	8	92%
Bass	12	1	8	91%
Tenor	11	1	8	88%

Anchor ch'io possa dire

Domenico Micheli

5:04	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	0	3	7	91%
Tenor 1	12	0	2	6	89%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	3	7	91%
Tenor 1	12	2	6	89%
Bass 2	11	3	6	84%
Soprano 1	14	4	7	83%
Soprano 2	13	3	8	83%
Tenor 2	13	3	7	83%
Alto 1	13	3	7	79%
Alto 2	12	3	6	75%

Anon. XIV Century - Cum altre ucele

Jose Oscar Marques

3:11	Est. Play Time
87	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Brightness Synthesizer	12	0	3	8	92%
	8	0	0	7	98%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Brightness Synthesizer	12	3	8	92%
	8	0	7	98%
Effect Synthesizer	12	3	8	92%
	8	0	7	98%
Viola da gamba	8	0	7	98%
Treble Viol	12	3	8	92%

Andante for Violin, Cello and Piano 1 of 3

Heuser, Ernst

1:46	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	53	9	8	92%
	31	23	12	7	90%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	53	9	8	92%
	31	23	12	7	90%
Violoncello	23	1	7	8	94%
Violin	29	0	8	8	90%

Anchor ch'in alto mar di scogli pieno

Jan Tollius

2:33	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	8	100%
Soprano 1	10	0	2	8	95%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	8	100%
Soprano 1	10	2	8	95%
Soprano 3	13	4	9	92%
Soprano 2	12	3	8	90%
Bass	12	2	8	87%
Tenor	11	1	8	87%

Almighty God, unto whom

Joseph Key

1:48	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass	14	5	2	8	97%
Tenor	9	0	1	8	87%
Soprano	9	0	1	8	86%
Alto	6	0	0	8	76%

Almighty God, who hast given

Thomas Clark

1:58	Est. Play Time
64	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	0	1	6	98%
Bassoon	18	0	1	5	97%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano	11	1	6	98%
Bassoon	18	1	5	97%
Bass	12	1	6	94%
Tenor	7	0	8	89%
Alto	8	1	6	88%

Alma Redemptoris mater

Giovanni Felice Sances

4:02	Est. Play Time
121	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		18	0	3	8	93%
Tenor		19	0	6	8	88%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass		18	0	3	8	93%
Tenor		19	0	6	8	88%

Amor, io fallo

Giaches de Wert

2:48	Est. Play Time
84	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2	15	0	5	7	99%
Alto	14	0	4	8	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor 2	15	5	7	99%
Alto	14	4	8	95%
Tenor 1	13	3	7	94%
Soprano	13	4	7	90%
Bass	14	3	6	87%

Angelus ad pastores ait

Michael Praetorius

5:56	Est. Play Time
77	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus C3 2. Chor	13	0	4	8	94%
Cantus C1 2. Chor	12	0	3	6	90%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Altus C3 2. Chor	13	4	8	94%
Cantus C1 2. Chor	12	3	6	90%
Cantus C1 1. Chor	14	4	7	90%
Cantus 3 C1 1. Chor	11	3	6	88%
Tenor C4 2. Chor	14	3	8	87%
Bassus F4 1. Chor	14	3	6	86%
Tenor C4 1. Chor	12	3	7	86%
Bassus F4 2. Chor	14	2	6	82%

Alma Redemptoris Mater

Francesco Cavalli

10:32	Est. Play Time
226	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	0	4	6	100%
Soprano II	17	0	4	9	64%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B.c.	16	4	6	100%
Soprano II	17	4	9	64%
Soprano I	16	4	9	58%
Basso	16	5	9	50%
Tenor	15	4	9	50%
Alto	13	3	9	49%

Are the white hours for ever fled

John Wall Callcott

5:42	Est. Play Time
93	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	34	6	8	98%
	16	1	4	6	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	34	6	8	98%
	16	1	4	6	89%
Tenor	15	0	5	8	94%
	15	0	5	8	99%
Counter Tenor	14	0	3	8	98%
Bass	14	1	2	8	94%

Anima mea liquefacta est

Leonel Power

0:01	Est. Play Time
84	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	2	6	100%
Cantus	12	2	8	95%
Contratenor	11	1	6	81%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor	13	2	6	100%
Cantus	12	2	8	95%
Contratenor	11	1	6	81%

Anima mea liquefacta est

Antoine Busnois

0:01	Est. Play Time
132	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	2	8	97%
Tenor	14	3	8	97%
Bass 2	8	0	6	70%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Bass 1	14	2	8	97%
Tenor	14	3	8	97%
Bass 2	8	0	6	70%