Play Along Piano

AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ

Ah, Cupid grant that I may never see

Thomas Bateson

3:57	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
	12	0	2	5	71%
Tenor	14	0	3	6	95%
Alto	11	0	2	5	86%
Bass I	13	0	3	6	82%
Soprano I	14	0	4	6	80%
Practice	18	4	6	6	74%

Adagio in E for Violin and Orchestra

calculuswhiz

6:16	Est. Play Time
55	Measures
	1,175Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	30	3	10	10	100%
Violin II	23	2	7	10	100%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin I	30	3	10	10	100%
Violin II	23	2	7	10	100%
Viola	21	0	7	9	96%
Violoncello amp;amp; Bass	20	0	7	3	93%
Solo violin	34	0	12	13	80%
E Horn	11	12	0	7	68%
Flute	19	20	6	10	63%

Afton Water (older version of "Flow Gently Sweet Afton"), violin & piano

Vetus Inceptos

3:39	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln.	15	0	1	5	100%
Pno.	13	8	1	5	97%
	16	13	2	4	54%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln.	15	0	1	5	100%
Pno.	13	8	1	5	97%
	16	13	2	4	54%

Afton Water (older "Flow Gently Sweet Afton"), violin & piano

Vetus Inceptos

3:39	Est. Play Time
40	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln.	15	0	1	5	100%
Pno.	13	8	1	5	97%
	16	13	0	4	54%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vln.	15	0	1	5	100%
Pno.	13	8	1	5	97%
	16	13	0	4	54%

Air de la Déesse HPL

Dumon Bertrand

3:52	Est. Play Time
58	Measures
	1,904Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	19	0	4	6	100%
	21	0	4	6	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Clarinette en Si♭	19	4	6	100%
	21	4	6	100%
Hautbois	19	4	6	100%
	17	4	6	100%
Clarinette Basse	14	4	6	100%
Saxophone Baryton	19	5	6	100%
Flûte	15	4	7	97%
	14	4	7	97%
Piccolo	17	4	7	97%
Cor en Fa	15	4	8	78%
	14	3	8	78%
Basse électrique	12	4	6	76%
Tuba	12	4	6	76%
Tuba en Si♭	12	4	6	76%
Trombone	16	3	8	72%
	14	2	8	72%
Trombone basse	12	1	8	69%
Euphonium	14	3	6	57%
Saxophone Alto	12	1	7	50%
	14	3	7	50%
Trompette en Si♭	14	3	8	50%
	9	1	8	50%
Saxophone Ténor	13	2	6	50%

Acceptance

mrivnak

3:41	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vibraphone	26	33	3	8	88%
Viola	14	0	1	5	80%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Vibraphone	26	33	3	8	88%
Viola	14	0	1	5	80%
Violin	14	0	1	8	80%
B♭ Trumpet 1	18	1	3	7	76%
Tenor Saxophone	13	0	1	5	66%
B♭ Trumpet 2	9	0	1	6	64%
Trombone	15	0	1	6	59%
Bass Guitar	10	0	1	2	53%

55 Abuela

[email protected]

3:36	Est. Play Time
54	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	13	9	0	4	74%
Basso elettrico	9	0	0	4	100%
View all 6 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano	13	9	4	74%
Basso elettrico	9	0	4	100%
Sintetizzatore effetti	8	0	3	50%
	9	0	4	50%
Glockenspiel	18	0	4	50%
Tromba in Si♭	8	0	3	33%

"Ah! crudel, il pianto mio deh!," from "Rinaldo," HWV 7, (1711)

edward.maurath

5:50	Est. Play Time
45	Measures
	1,422Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon Solo	23	0	5	11	100%
Contrabass Solo	22	0	6	8	95%
Violoncello (Continuo)	20	0	5	8	95%
Cembalo (Continuo)	27	49	8	8	89%
	23	18	5	8	94%
Contrabassi (Continuo)	19	0	5	8	90%
Violas	15	0	3	8	90%
Violins 1	22	0	6	9	90%
Violins 2	22	0	4	8	90%
Violins 3	18	0	4	7	90%
Violoncelli (Continuo)	19	0	5	8	90%
Violoncello Solo	21	0	5	8	86%
Oboe	18	0	4	9	85%
Armida	17	0	6	9	68%