Play Along Piano

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Alleluia, O Patriarcha pauperum

Jan Tollius

6:36	Est. Play Time
99	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	14	0	3	6	93%
Alto	12	0	3	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	14	3	6	93%
Alto	12	3	6	92%
Soprano 2	13	4	6	87%
Tenor	13	3	5	81%
Bass	14	4	5	78%

Al dolce vostro canto

Luzzasco Luzzaschi

3:53	Est. Play Time
62	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	0	3	6	97%
Quinto	11	0	2	6	92%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	14	3	6	97%
Quinto	11	2	6	92%
Bass	9	1	6	90%
Tenor	11	2	5	90%
Soprano	9	1	6	84%

Ahi me lasso che deggio

Domenico Micheli

4:00	Est. Play Time
61	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	0	3	5	95%
Quinto	17	0	5	7	95%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	13	3	5	95%
Quinto	17	5	7	95%
Tenor	14	4	6	90%
Bass	14	4	5	88%
Soprano	12	4	7	88%

All'hor che di bei fiori

Ruggiero Giovannelli

2:12	Est. Play Time
33	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	11	2	5	100%
Soprano 2	13	3	5	97%
Tenor	9	0	6	91%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	11	2	5	100%
Soprano 2	13	3	5	97%
Tenor	9	0	6	91%

Al Cielo mancheran prima

Luzzasco Luzzaschi

3:36	Est. Play Time
55	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	15	0	4	6	96%
Tenor	16	0	5	5	94%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Quinto	15	4	6	96%
Tenor	16	5	5	94%
Soprano	14	4	6	91%
Alto	15	4	6	89%
Bass	12	2	4	87%

Adieu, adieu you kind and cruel

Thomas Morley

2:11	Est. Play Time
71	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	1	1	6	82%
	11	0	1	4	85%
Tenor I	11	0	1	5	94%
Soprano	9	0	2	6	93%
Alto	10	0	1	5	87%
Practice	13	2	2	6	83%
Bass	12	0	1	6	76%

Adoramus te, Jesu Christe

Jacob Handl

2:28	Est. Play Time
37	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	10	0	3	4	89%
Soprano 2	10	0	2	4	89%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano 1	10	3	4	89%
Soprano 2	10	2	4	89%
Alto	13	3	5	86%
Tenor 2	11	1	4	86%
Tenor 1	8	2	4	70%
Bass	8	0	4	68%

Al combite que Amor hoy previene

Francisco Valls

2:41	Est. Play Time
48	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
P9	19	0	6	5	100%
P1	13	0	3	5	83%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
P9	19	6	5	100%
P1	13	3	5	83%
P2	13	2	5	79%
P4	16	4	5	79%
P3	14	4	5	74%
P5	11	1	4	72%
P7	13	2	5	70%
P8	15	2	5	70%
P6	12	2	5	66%

All Pleasure is of this Condition

John Wilbye

3:16	Est. Play Time
98	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	0	5	6	79%
Alto	16	0	4	6	91%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	5	6	79%
Alto	16	4	6	91%
Soprano I	15	4	5	89%
Bass	14	3	6	85%
Tenor	16	4	6	78%

Allons, allons gay

Pierre de Manchicourt

2:24	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	0	5	93%
Tenor 2	9	0	0	5	89%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	5	93%
Tenor 2	9	0	5	89%
Bass	10	1	4	87%
Soprano 2	10	0	5	87%
Tenor 1	10	0	5	86%
Soprano 1	10	0	6	85%

Abendlied, Op. 92, No. 3

Johannes Brahms

3:00	Est. Play Time
60	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	73	11	5	82%
	35	26	13	5	89%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	32	73	11	5	82%
	35	26	13	5	89%
Bass	15	0	5	6	87%
Alto	13	0	4	6	85%
Tenor	15	0	5	6	85%
Soprano	14	0	4	6	77%

Ad Dominum dum tribularer

Alessandro Scarlatti

3:41	Est. Play Time
57	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	0	3	5	96%
Soprano	14	0	4	5	95%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	11	3	5	96%
Soprano	14	4	5	95%
Tenor	15	3	6	91%
Bass	15	4	5	89%

Ah, Cupid grant that I may never see

Thomas Bateson

3:57	Est. Play Time
59	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	19	1	5	6	81%
	13	0	3	5	86%
	12	0	2	5	71%
Tenor	14	0	3	6	95%
Alto	11	0	2	5	86%
Bass I	13	0	3	6	82%
Soprano I	14	0	4	6	80%
Practice	18	4	6	6	74%

À la fontaine

Adrian Willaert

2:42	Est. Play Time
81	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	9	0	0	7	90%
Tenor 1	10	0	0	6	90%
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Alto	9	7	90%
Tenor 1	10	6	90%
Tenor 2	10	6	86%
Bass	10	6	83%
Soprano	10	5	83%
Tenor 3	10	7	81%

AC Syndicate Underground

Callum MacRae

3:06	Est. Play Time
101	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano, Piano	20	22	0	5	90%
	22	20	0	6	86%
View all 4 Parts

	Unique Notes	Unique Chords	Rhythmic Complexity	Percent Played
Piano, Piano	20	22	5	90%
	22	20	6	86%
Violoncello	12	3	8	73%
Violin, Solo Violin	10	0	5	16%