Active Filters:
Composition: Ensemble
Measures: < 20
Participation: 50%-79%
Participation: 100%
Unique Durations: 1-3
Unique Notes: 16 - 20
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Alder's Encounter Music
L Marisson
1:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
Alto 11 0 2 5 68%
Flûte
2		 Treble 12 0 2 6 68%
Violon
1		 Treble 12 0 4 5 68%
Violon
2		 Treble 11 0 2 5 68%
Guitare
classique		 Treble 19 4 4 3 51%
Violoncelle Bass 10 0 0 5 36%
 
Again - Your Lie in April
tacoshy
0:22 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 8 4 1 1 80%
Treble 16 0 2 1 100%
Flöte Treble 9 0 0 3 80%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klavier Treble 8 4 1 1 80%
Treble 16 0 2 1 100%
Flöte Treble 9 0 0 3 80%
 
8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
Bass 18 0 3 2 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 13 0 2 2 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 11 0 2 2 50%
 
Agnus dei
Редберд
1:07 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Скрипка Treble 20 1 1 4 100%
Treble 13 0 0 7 79%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Скрипка Treble 20 1 1 4 100%
Treble 13 0 0 7 79%
Альт Treble 12 0 0 6 43%
16 1 0 2 100%
Контрабас Bass 9 0 0 4 86%
Тромбон Bass 11 1 0 5 86%
Фагот Bass 7 0 0 6 64%
Сопрано Treble 6 0 0 4 36%
 
3. Ach Gott und Herr, BWV 255.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 13 0 2 2 50%
 
5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.
SDG
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 6 3 100%
Contrabass Bass 14 0 4 3 50%
 
Allegro Deciso
Rodrigo Avila 2
0:25 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
 
Allegro Deciso
Rodrigo Avila 2
0:25 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%