Active Filters:
Composition: Ensemble
Measures: < 20
Participation: 0%
Participation: 1%-49%
Participation: 50%-79%
Unique Accidentals: 2
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Alder's Encounter Music
L Marisson
1:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
Alto 11 0 2 5 68%
Flûte
2		 Treble 12 0 2 6 68%
Violon
1		 Treble 12 0 4 5 68%
Violon
2		 Treble 11 0 2 5 68%
Guitare
classique		 Treble 19 4 4 3 51%
Violoncelle Bass 10 0 0 5 36%
 
Adorare Dominum
Francisco Valls
0:20 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P17 Bass 6 0 1 4 100%
P5 Treble 9 0 0 5 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
P17 Bass 6 0 1 4 100%
P5 Treble 9 0 0 5 100%
P6 Treble 7 0 1 6 100%
P7 Treble 8 0 1 6 100%
P8 Treble 11 0 1 4 100%
P13 Treble 5 0 0 5 90%
P14 Treble 6 0 0 6 90%
P15 Treble 7 0 0 4 90%
P16 Bass 7 0 2 4 90%
P10 Treble 7 0 1 6 80%
P11 Treble 5 0 1 5 80%
P12 Bass 8 0 1 4 80%
P9 Treble 6 0 1 6 80%
P1 Treble 5 0 0 6 60%
P2 Treble 4 0 0 3 60%
P3 Treble 4 0 0 6 60%
P4 Treble 7 0 2 4 60%
 
1. Ach bleib bei uns, Herr Jesu Christ, J.S. Bach, BWV 253.
SDG
0:31 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 3 5 100%
Bass 13 0 2 4 100%
Soprano/Alto Treble 13 0 3 5 100%
Tenor/Bass Bass 13 0 2 4 100%
Contrabass Bass 10 0 2 3 50%
 
Abandoned Ship/Sea Mauville Theme (Pokemon OR/AS)
Christopher Rice
1:04 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
C
Tuba		 Bass 10 0 5 8 100%
Flute Treble 32 17 11 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
C
Tuba		 Bass 10 0 5 8 100%
Flute Treble 32 17 11 6 100%
BaccidentalFlat
Clarinet		 Treble 26 0 10 5 88%
BaccidentalFlat
Trumpet		 Treble 17 0 8 7 88%
Alto
Saxophone		 Treble 15 17 6 5 56%
Trombone Bass 3 0 2 4 50%
French
Horn		 Treble 9 0 4 7 44%
Tubular
Bells		 Treble 4 0 1 1 13%
 
12. Allein Gott in der Höh' sei Ehr', J.S. Bach, BWV 260.
SDG
0:55 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Treble 14 0 3 5 100%
Treble 1 0 0 1 6%
Bass 16 0 3 4 100%
Bass 16 0 3 4 100%
Soprano/Alto Treble 14 0 3 5 100%
Tenor/Bass Bass 16 0 3 4 100%
Contrabass Bass 14 0 2 2 50%
 
19. Alles ist an Gottes Segen, J.S. Bach, BWV 263.
SDG
0:41 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 5 100%
Treble 13 0 2 5 100%
Bass 19 1 4 6 100%
Bass 19 1 4 6 100%
Soprano/Alto Treble 13 0 2 5 100%
Tenor/Bass Bass 19 1 4 6 100%
Contrabass Bass 15 0 2 3 50%
 
8. Ach Gott, wie manches Herzeleid, J.S. Bach, BWV 3-6.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 13 0 2 2 100%
Treble 13 0 2 2 100%
Bass 18 0 3 2 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 13 0 2 2 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 11 0 2 2 50%
 
10. Ach, was soll ich Sünder machen (B.A. 39. No. 7), BWV 259.
SDG
0:37 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 2 5 100%
Treble 12 0 2 5 100%
Bass 21 0 5 5 100%
Bass 21 0 5 5 100%
Soprano/Alto Treble 12 0 2 5 100%
Tenor/Bass Bass 21 0 5 5 100%
Contrabass Bass 15 0 2 3 50%
 
Aether Paradise Theme
Elu
2:03 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 6 9 7 100%
Bass 20 14 8 5 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 6 9 7 100%
Bass 20 14 8 5 100%
Saw
Synthesizer		 Treble 12 5 5 4 24%
Bass 17 11 5 6 97%
Brightness
Synthesizer		 Treble 35 24 13 7 73%
Treble 28 17 9 7 62%
Treble 31 17 10 7 73%
Treble 29 18 12 7 62%
Celesta Treble 8 0 2 1 8%
Glockenspiel Treble 7 0 2 1 8%
 
3. Ach Gott und Herr, BWV 255.
SDG
0:25 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 1 4 100%
Bass 18 0 3 2 100%
Soprano/Alto Treble 12 0 1 4 100%
Tenor/Bass Bass 18 0 3 2 100%
Contrabass Bass 13 0 2 2 50%
 
14. Allein Gott in der Höh' sei Ehr', BWV 112.5.
SDG
0:53 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
Bass 18 0 5 4 100%
Bass 18 0 5 4 100%
Violin Treble 8 0 2 4 50%
Treble 6 0 1 5 100%
Horn
in
F		 Treble 8 0 0 5 100%
Oboe Treble 6 0 1 5 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 18 0 5 4 100%
Viola 9 0 1 4 100%
Oboe
col
Alto		 Treble 9 0 2 4 70%
Contrabass Bass 12 0 4 2 50%
Violoncello Bass 12 0 4 2 50%
 
Allegro Deciso
Rodrigo Avila 2
0:25 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
 
Allegro Deciso
Rodrigo Avila 2
0:25 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 0 2 2 71%
Guit.2 Treble 15 0 1 3 71%
Guit.1 Treble 10 0 0 2 65%