Active Filters:
Composition: Piano
Participation: 80%-99%
Participation: 100%
Play Time: < 1:00
Unique Durations: 6-7
Unique Accidentals: > 4
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Albumblatt
Mendelssohn, Arnold
0:55 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 29 7 10 99%
Bass 30 3 6 6 89%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 24 29 7 10 99%
Bass 30 3 6 6 89%
 
Abendlied (Der Mond ist aufgegangen)
Max Reger
0:23 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Alt Treble 13 0 3 3 100%
Tenor Bass Bass 18 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Sopran Alt Treble 13 0 3 3 100%
Tenor Bass Bass 18 0 5 6 100%
 
alla Liszt ending piano
LisztFerencz
0:20 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 51 39 22 6 100%
Bass 35 22 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 51 39 22 6 100%
Bass 35 22 16 6 100%
 
A
Pingsky
0:35 Est. Play
Time
46 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Saw
Synthesizer		 Treble 24 12 7 6 100%
Bass 16 13 4 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Saw
Synthesizer		 Treble 24 12 7 6 100%
Bass 16 13 4 3 100%
 
Allegro
Moueen Issa
0:42 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 20 10 7 96%
Bass 22 18 8 5 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 29 20 10 7 96%
Bass 22 18 8 5 84%
 
Adagio
Musdellavi
0:45 Est. Play
Time
23 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 18 6 6 100%
Bass 25 14 8 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Orgel Treble 18 18 6 6 100%
Bass 25 14 8 7 100%
 
admiration
Teo0
0:57 Est. Play
Time
24 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 26 6 6 100%
Bass 18 3 5 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 26 6 6 100%
Bass 18 3 5 1 100%
 
Aigrette one page 2 key signatures with Naima-like theme
RhymesWithMusic
0:25 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 14 5 7 100%
Bass 13 3 7 5 75%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 19 14 5 7 100%
Bass 13 3 7 5 75%
 
Albumblatt in F
Kris9kris
0:54 Est. Play
Time
45 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 88 19 7 100%
Bass 45 33 20 5 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 40 88 19 7 100%
Bass 45 33 20 5 98%
 
All things in jesus - Harry D. Loes
Real Jesus
0:36 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 28 5 6 100%
Bass 11 15 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 15 28 5 6 100%
Bass 11 15 1 6 100%
 
All the world shall come - Leon M. Kramer
Real Jesus
0:48 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 22 3 6 100%
Bass 18 31 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 22 3 6 100%
Bass 18 31 5 6 100%
 
6. Ach Gott, vom Himmel sieh' darein, BWV 77 #6, Cantate 'Du sollst Gott, deinen Herren lieben. J.S. Bach, Zelter.
SDG
0:50 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 6 100%
Tenor/Bass Bass 19 0 5 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 12 0 3 6 100%
Tenor/Bass Bass 19 0 5 7 100%
 
All things bless thee - Charles L. Hutchins
Real Jesus
0:45 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 29 5 6 100%
Bass 20 29 6 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 29 5 6 100%
Bass 20 29 6 6 100%
 
All for me (miles) - C. Austin Miles
Real Jesus
0:36 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 30 6 6 100%
Bass 14 17 2 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 18 30 6 6 100%
Bass 14 17 2 6 100%
 
Again the morn of gladness - Arthur Cottman
Real Jesus
0:48 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 28 5 6 100%
Bass 20 39 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 28 5 6 100%
Bass 20 39 5 6 100%
 
All alone - C. Austin Miles
Real Jesus
0:35 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 21 5 7 100%
Bass 11 12 1 7 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 21 5 7 100%
Bass 11 12 1 7 100%