Active Filters:
Composition: Piano
Composition: Ensemble
Measures: < 20
Participation: 50%-79%
Participation: 80%-99%
Unique Accidentals: 3-4
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Alder's Encounter Music
L Marisson
1:01 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 15 0 3 3 100%
Flûte
1		 Treble 12 0 1 6 100%
Alto 11 0 2 5 68%
Flûte
2		 Treble 12 0 2 6 68%
Violon
1		 Treble 12 0 4 5 68%
Violon
2		 Treble 11 0 2 5 68%
Guitare
classique		 Treble 19 4 4 3 51%
Violoncelle Bass 10 0 0 5 36%
 
Air in C
schweinepriester
0:36 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klarinette
in
B		 Treble 8 1 4 4 100%
Treble 9 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Klarinette
in
B		 Treble 8 1 4 4 100%
Treble 9 2 2 4 100%
Posaune Bass 11 0 2 4 100%
Tuba Bass 7 0 1 3 100%
Trompete
in
B		 Treble 13 6 3 3 67%
 
Air and Water
Quinton Gignac
0:18 Est. Play
Time
9 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 11 1 5 100%
Bass 12 10 0 4 88%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 11 1 5 100%
Bass 12 10 0 4 88%
B♭
Trumpet		 Treble 5 0 0 4 100%
Rhythm
Guitar		 Treble 11 10 0 4 100%
6-str.
Electric
Bass		 Bass 9 6 3 4 88%
Contrabass
Saxophone		 Treble 6 0 1 2 75%
 
alder's theme (base theme)
Renaud Brunel-Gauthier
0:27 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 8 1 1 4 100%
Luth Treble 9 0 1 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrebasse Bass 8 1 1 4 100%
Luth Treble 9 0 1 3 100%
Traverso Treble 11 0 1 7 100%
Violoncelles Bass 9 0 1 2 67%
Violons Treble 13 0 3 4 67%
 
Abide with me (perkins) - S. M. Chase
Real Jesus
0:45 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 7 2 8 100%
Bass 16 9 3 8 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 10 7 2 8 100%
Bass 16 9 3 8 96%
 
All the world for jesus (davis) - James H. Fillmore
Real Jesus
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 16 4 5 89%
Bass 10 11 1 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 16 4 5 89%
Bass 10 11 1 5 100%
 
All glory, laud and honor - Samuel P. Warren
Real Jesus
0:35 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 20 2 5 100%
Bass 17 26 3 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 20 2 5 100%
Bass 17 26 3 5 96%
 
Abide with me (dietrich) - Louis D. Eichhorn
Real Jesus
0:43 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 26 4 5 73%
Bass 14 19 1 5 74%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 16 26 4 5 73%
Bass 14 19 1 5 74%
 
Across the templed hills - Ira B. Wilson
Real Jesus
0:40 Est. Play
Time
18 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 7 100%
Bass 14 11 4 6 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 19 2 7 100%
Bass 14 11 4 6 95%
 
All is fulfilled - Johann A. Freylinghausen
Real Jesus
0:38 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 24 2 5 95%
Bass 18 23 4 5 92%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 24 2 5 95%
Bass 18 23 4 5 92%
 
7. Ach Gott, vom Himmel sieh' darein, J.S. Bach, M. Luther, BWV 2#6
SDG
0:45 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 4 4 100%
Bass 20 0 6 5 100%
Soprano/Alto Treble 14 0 4 4 100%
Tenor/Bass Bass 20 0 6 5 100%
Contrabass Bass 14 0 4 4 50%
 
5. Ach Gott, vom Himmel sieh' darein, Schau lieber Gott, BWV 153 #1, Denicke, Bach.
SDG
0:45 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 14 0 3 4 100%
Bass 18 0 6 3 100%
Soprano/Alto Treble 14 0 3 4 100%
Tenor/Bass Bass 18 0 6 3 100%
Contrabass Bass 14 0 4 3 50%
 
14. Allein Gott in der Höh' sei Ehr', BWV 112.5.
SDG
0:53 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 12 0 3 5 100%
Treble 12 0 3 5 100%
Bass 18 0 5 4 100%
Bass 18 0 5 4 100%
Violin Treble 8 0 2 4 50%
Treble 6 0 1 5 100%
Horn
in
F		 Treble 8 0 0 5 100%
Oboe Treble 6 0 1 5 100%
Soprano/Alto Treble 12 0 3 5 100%
Tenor/Bass Bass 18 0 5 4 100%
Viola 9 0 1 4 100%
Oboe
col
Alto		 Treble 9 0 2 4 70%
Contrabass Bass 12 0 4 2 50%
Violoncello Bass 12 0 4 2 50%
 
Adiemus JH
cajunkate
1:03 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 21 3 7 100%
Bass 18 15 4 7 85%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 17 21 3 7 100%
Bass 18 15 4 7 85%
Alto Treble 10 0 3 6 100%
Soprano Treble 11 0 2 6 100%
Bass Bass 9 0 2 6 85%
Tenor Treble 10 0 1 6 85%