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Composition: Duet
Composition: Ensemble
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AAA ARI BAC BER BRA CAN CHO CON DAR DIS E49 ESE FAU FOU GEO GRE HEI HOW ILL ITS JUD LA LEG LOR MAP MEN MON NAB NOT OME OTR PET PRÁ QUI RIS SÄß SHE SOL SPY SUN TEL TO TWO VER WBX WIP ЗВЕ ZZZ
Zugvögelein, Op. 37
Carl Reinecke
0:35 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 8 0 0 4 100%
Treble 15 16 2 3 100%
Bass 10 7 2 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
MusicXML
Part		 Treble 8 0 0 4 100%
Treble 15 16 2 3 100%
Bass 10 7 2 4 100%
 
You Left Me For No Reason
Frank P Martinez Jr
0:53 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
MELODY		 Treble 9 0 0 2 100%
Piano,
Bassline		 Bass 7 0 0 2 100%
Piano,
Chords		 Treble 12 10 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano,
MELODY		 Treble 9 0 0 2 100%
Piano,
Bassline		 Bass 7 0 0 2 100%
Piano,
Chords		 Treble 12 10 3 4 100%
 
With Pearly (Ace Attorney: Justice for All)
Ezlo
0:59 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 1 11%
Electric
Piano		 Treble 10 10 1 4 97%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 5 0 0 1 11%
Electric
Piano		 Treble 10 10 1 4 97%
Treble 10 10 1 4 97%
Bass
Guitar		 Bass 7 0 2 5 97%
Crystal
Synthesizer		 Treble 12 5 1 6 97%
Bass 0 0 0 0 0%
Square
Synthesizer		 Treble 9 9 1 3 97%
Celesta Treble 9 0 1 5 94%
Treble 9 0 1 5 94%
 
you should see me in a crown - by Billie Eilish, for Pep Band
Sparrow Percussion
0:28 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 6 3 0 3 100%
B♭
Clarinet		 Treble 10 3 0 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 6 3 0 3 100%
B♭
Clarinet		 Treble 10 3 0 3 100%
B♭
Trumpet		 Treble 10 8 0 3 100%
B♭
Tuba		 Bass 5 1 0 2 100%
Mellophone Treble 9 3 1 3 100%
Piccolo Treble 7 3 0 3 100%
Tenor
Saxophone		 Treble 5 1 0 2 100%
Trombone
I		 Bass 7 1 1 3 100%
Trombone
II		 Bass 6 1 1 3 100%
 
X-COM: A Tribute
Bostonfil
0:50 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Keyboard
Synthesizer		 Treble 11 8 0 3 100%
Bass 11 5 0 3 68%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Keyboard
Synthesizer		 Treble 11 8 0 3 100%
Bass 11 5 0 3 68%
Violin Treble 8 0 0 3 76%
Trombone Bass 5 0 1 3 60%
B
Trumpet		 Treble 5 0 0 2 52%
 
young hockey players
Eduard Pesh
0:36 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 1 4 100%
Treble 9 10 0 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 14 6 1 4 100%
Treble 9 10 0 6 100%
Рояль Bass 13 16 1 3 100%
Bass 15 12 0 5 100%
 
The Worlds Most Horrible Song.
Richard G Perritt Sr
0:41 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Guitar		 Treble 11 9 1 3 100%
Electric
Guitar		 Treble 6 0 0 3 100%
Acoustic
Bass		 Bass 6 0 1 2 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Acoustic
Guitar		 Treble 11 9 1 3 100%
Electric
Guitar		 Treble 6 0 0 3 100%
Acoustic
Bass		 Bass 6 0 1 2 98%
 
Write Like Mozart
mospcorp
0:40 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 7 2 4 100%
Bass 13 9 0 3 100%
Flute Treble 17 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 12 7 2 4 100%
Bass 13 9 0 3 100%
Flute Treble 17 0 3 4 100%
 
Zemlinsky - String Quartet No. 1 Op. 4 - Movement III
Nicolas
0:01 Est. Play
Time
132 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 36 3 20 13 99%
Viola 30 7 20 13 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 36 3 20 13 99%
Viola 30 7 20 13 99%
Violin Treble 37 6 21 14 99%
Treble 29 5 20 13 99%
 
Zari No. 3 Banjo Version
zariuq
0:37 Est. Play
Time
30 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Banjo Treble 27 7 10 6 94%
Treble 27 10 9 3 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Banjo Treble 27 7 10 6 94%
Treble 27 10 9 3 100%
 
Zari No. 3
zariuq
0:40 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hammond
Organ		 Treble 27 10 9 3 100%
Organ Treble 27 8 10 6 95%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Hammond
Organ		 Treble 27 10 9 3 100%
Organ Treble 27 8 10 6 95%
 
Yavi da Vanes
juanvema05
0:55 Est. Play
Time
20 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 4 5 100%
Bass 18 9 5 5 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 11 0 4 5 100%
Bass 18 9 5 5 100%
Violonchelo Bass 23 19 5 5 100%
Bass 29 0 8 6 100%
Barítono Bass 20 0 5 4 100%
 
Xendarious - Revamped
ChaseGaudet29
0:33 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 10 0 1 1 100%
Bass 10 0 1 1 100%
View all 13 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Marimba Treble 10 0 1 1 100%
Bass 10 0 1 1 100%
Vibraphone Bass 10 0 1 1 100%
Bass 10 0 1 1 100%
Contrabasses
I
amp;amp;
II		 Bass 15 13 1 7 100%
Double
Bass
I
amp;amp;
II		 Bass 16 8 2 8 100%
Electric
Bass		 Bass 18 10 2 8 100%
Glockenspiel Treble 11 2 2 4 100%
Violins
I
amp;amp;
II		 Treble 16 2 1 8 100%
Violins
III
amp;amp;
IV		 Treble 11 3 1 8 100%
Violoncellos
I
amp;amp;
II		 Bass 17 15 1 7 100%
Violas
I,
II,
III,
IV,
V		 16 14 1 8 95%
Chimes Treble 8 0 1 2 83%
 
Work in Progress
Dragon Fighter
0:40 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 3 7 35%
Bass 11 8 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 0 3 7 35%
Bass 11 8 0 2 100%
Harp Treble 8 0 0 5 30%
Bass 8 0 0 5 30%
 
Work in Progress
Dragon Fighter
0:40 Est. Play
Time
32 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 7 25%
Bass 11 8 0 2 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 9 0 1 7 25%
Bass 11 8 0 2 100%
Harp Treble 8 0 0 5 30%
Bass 8 0 0 5 30%
 
Żabka
Marcin Czechowski
0:32 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 2 3 95%
Bass 8 8 2 2 100%
Violino Treble 6 0 1 1 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 13 5 2 3 95%
Bass 8 8 2 2 100%
Violino Treble 6 0 1 1 100%